ﺔﯿﺛﺮﻣ قدزﺮﻔﻟا ﻦﺑﻻ :ﮫﯿﺧأ ﺔﺳارد ﺔﯿﻠﯿﻠﺤﺗ ﺔﯿﺑﻮﻠﺳأ Malek Hassan Mahmoud ABDUL QADER

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Adres RumeliDE Dil ve Edebiyat Araştırmaları Dergisi Osmanağa Mahallesi, Mürver Çiçeği Sokak, No:14/8 Kadıköy - İSTANBUL / TÜRKİYE 34714 e-posta: editor@rumelide.com tel: +90 505 7958124, +90 216 773 0 616

Address

RumeliDE Journal of Language and Literature Studies Osmanağa Mahallesi, Mürver Çiçeği Sokak, No:14/8 Kadıköy - ISTANBUL / TURKEY 34714

e-mail: editor@rumelide.com,

phone: +90 505 7958124, +90 216 773 0 616

ﺔﯿﺛﺮﻣ قدزﺮﻔﻟا ﻦﺑﻻ

:ﮫﯿﺧأ ﺔﺳارد ﺔﯿﻠﯿﻠﺤﺗ ﺔﯿﺑﻮﻠﺳأ

Malek Hassan Mahmoud ABDUL QADER¹

APA:Abdul Qader, M. H. M. (2021). el-Farazdaq’ın yeğeni için ağıtı: Analitik ve biçimsel bir çalışma. RumeliDE Dil ve Edebiyat Araştırmaları Dergisi, (22), 766-781. DOI:

10.29000/rumelide.897384.

ﺺﺨﻠﻤﻟا

لوﺎﻨﺘﺗ هﺬھ ﺔﻗرﻮﻟا ﺔﯿﺜﺤﺒﻟا ﺔﺳارد ﺔﯿﻠﯿﻠﺤﺗ ﺔﯿﺑﻮﻠﺳأ ةﺪﯿﺼﻘﻟ قدزﺮﻔﻟا ﻲﻓ ءﺎﺛر ﻦﺑا ﮫﯿﺧأ .ﺪﻤﺤﻣ فﺮُﻋ ﺪﻗو ﻦﻋ قدزﺮﻔﻟا ةﻮﺴﻗ ﮫﻌﺒط هرﺎﮭﺘﺷاو

ﮫﻀﺋﺎﻘﻨﺑ ﻊﻣ .ﺮﯾﺮﺟ ﻦﻣ ﺎﻨھ ﺖﻧﺎﻛ هﺬھ ﺔﯿﺛﺮﻤﻟا ﺔﻣﻼﻋ ةزرﺎﺑ ﻲﻓ جﺎﺘﻧ قدزﺮﻔﻟا .يﺮﻌﺸﻟا ﺪﻗو ﺖﻌﺳ هﺬھ ﺔﻗرﻮﻟا ﺔﯿﺜﺤﺒﻟا ﻰﻟإ ﺔﺳارد ﻦﯿﻣﺎﻀﻤﻟا

ﺔﯿﻋﻮﺿﻮﻤﻟا هﺬﮭﻟ

،ةﺪﯿﺼﻘﻟا ﻒﺸﻜﻟاو ﻦﻋ زﺮﺑأ تﺎﯿﻨﻘﺘﻟا ﺔﯿﺑﻮﻠﺳﻷا ﻲﺘﻟا ﺖﻠﺜﻣ ﺐﻟﺎﻘﻟا ّيﻮﻐﻠﻟا ﻚﻠﺘﻟ .ﻦﯿﻣﺎﻀﻤﻟا ﻦﻣو ﻞﺟأ ﻖﯿﻘﺤﺗ اﺬھ فﺪﮭﻟا تﺪﻤﺘﻋا

ﺔﺳارﺪﻟا ﺞﮭﻨﻤﻟا ّﻲﻠﯿﻠﺤﺘﻟا

،ﻲﻧﻮﻤﻀﻤﻟا ﺞﮭﻨﻤﻟاو

.ﻲﺑﻮﻠﺳﻷا ﻢﺴﻘﻨﺗو ﺔﺳارﺪﻟا ﻰﻟإ ﻦﯿﻤﺴﻗ :ﻦﯿﺴﯿﺋر :لوﻷا ﻞﯿﻠﺤﺘﻟا

،ﻲﻧﻮﻤﻀﻤﻟا ﮫﯿﻓو

ﺖﻠﻤﻋ ﺔﺳارﺪﻟا

ﻰﻠﻋ ﻢﯿﺴﻘﺗ ةﺪﯿﺼﻘﻟا ﻰﻟإ ةﺪﻋ ﻊطﺎﻘﻣ ﻞﺜﻤﯾ ّﻞﻛ ﺎﮭﻨﻣ ﺎﺒﻧﺎﺟ .ﺎﯿﻧﻮﻤﻀﻣ :ﻲﻧﺎﺜﻟاو ﻞﯿﻠﺤﺘﻟا

،ﻲﺑﻮﻠﺳﻷا ﻮھو ﻢﺴﻘﻨﯾ ﻰﻟإ :ﻦﯿﻤﺴﻗ ﻞﯿﻠﺤﺘﻟا ﻲﺑﻮﻠﺳﻷا

،يﻮﻐﻠﻟا

ﻞﯿﻠﺤﺘﻟاو ﻲﺑﻮﻠﺳﻷا .ﻲﺗﻮﺼﻟا ﻞﻤﺷو ﻞﯿﻠﺤﺘﻟا ﻲﺑﻮﻠﺳﻷا يﻮﻐﻠﻟا ةﺪﻋ ﺐﻧاﻮﺟ ﻲھ ظﺎﻔﻟﻷا ﻦﻣ ﺚﯿﺣ ﻢﺠﻌﻤﻟا يﺮﻌﺸﻟا ﻦﻣو ﺚﯿﺣ ﺔﻟاﺰﺠﻟا

،ﺔﺳﻼﺴﻟاو

:راﺮﻜﺘﻟاو ﻲﻈﻔﻠﻟا يﻮﻨﻌﻤﻟاو

،ﻲﺑﻮﻠﺳﻷاو .بﺎﻨطﻹاو

ﺎﻣأ ﻞﯿﻠﺤﺘﻟا ﻲﺑﻮﻠﺳﻷا ّﻲﺗﻮﺼﻟا لوﺎﻨﺘﻓ ﺔﺳارد ﺔﯿﻘﯿﺳﻮﻣ ةﺪﯿﺼﻘﻠﻟ ﻦﻣ ﺚﯿﺣ نزﻮﻟا ﺔﯿﻓﺎﻘﻟاو

.عﺎﻘﯾﻹاو ﺪﻗو ﺖﺼﻠﺧ ﺔﺳارﺪﻟا ﻰﻟإ نأ ﻦﯿﻣﺎﻀﻤﻟا ﺔﯾﺮﻌﺸﻟا ﻲﻓ ةﺪﯿﺼﻘﻟا ﻢﻟ جﺮﺨﺗ ﻦﻋ رﺎطﻹا فرﺎﻌﺘﻤﻟا ﮫﯿﻠﻋ ﺔﯿﺛﺮﻤﻠﻟ ﻦﻣ ﺮﻛذ ﺐﻗﺎﻨﻣ ّﻲﺛﺮﻤﻟا

ﺮﯿﺒﻌﺘﻟاو ﻦﻋ ﻢﻟﻷا نﺰﺤﻟاو ﻦﻣ ﻞﺒﻗ .ﻲﺛاﺮﻟا مأ ﻰﻠﻋ ﺪﯿﻌﺼﻟا ﻲﺑﻮﻠﺳﻷا ﺪﻘﻓ ﺖﺒﻌﻟ تﺎﯿﻨﻘﺗ ﺔﯿﺑﻮﻠﺳﻷا ارود ﺎﺘﻓﻻ ﻲﻓ زاﺮﺑإ ﻲﻧﺎﻌﻤﻟا ﺔﯾﺮﻌﺸﻟا ﻼﻀﻓ ﻦﻋ

ﻲﻧﺎﻌﻤﻟا ﺔﯿﻨﻤﻀﻟا ﻲﺘﻟا ﺖﺣوأ ﺎﮭﺑ هﺬھ ﺐﯿﻟﺎﺳﻷا .ﺔﯿﻨﻔﻟا ﺎﻤﻛ ﺖﺼﻠﺧ ﺔﺳارﺪﻟا ﻰﻟإ ّنأ قدزﺮﻔﻟا دﺎﺟأ ﻲﻓ اﺬھ نﻮﻠﻟا

،ّيﺮﻌﺸﻟا ّنأو ﮫﻟﻼﻗإ ﻲﻓ ﻢﻈﻧ

ﺮﻌﺸﻟا ﻲﻓ اﺬھ عﻮﺿﻮﻤﻟا ﻻ ﻖّﻠﻌﺘﯾ رﻮﻣﺄﺑ ﺔﯿﻨﻓ وأ ﻒﻌﺿ يﺮﻌﺷ ﻲﻓ اﺬھ .بﺎﺒﻟا ﻲﺻﻮﺗو ﺔﺳارﺪﻟا ءاﺮﺟﺈﺑ ﺪﯾﺰﻣ ﻦﻣ تﺎﺳارﺪﻟا ﻰﻠﻋ ﺪﺋﺎﺼﻘﻟا ﻲﺘﻟا

ﺖﻠﯿﻗ ﻲﻓ ﻊﯿﺿاﻮﻣ رﺪﻨﯾ نأ قﺮﻄُﺗ ىﺪﻟ

،ﺎﮭﯿﻠﺋﺎﻗ ﺔﯿﻐﺑ ﻂﯿﻠﺴﺗ ءﻮﻀﻟا ﻰﻠﻋ هﺬھ ﺮھاﻮﻈﻟا ةﺪﯾﺮﻔﻟا ىﺪﻟ ءﻻﺆھ .ءاﺮﻌﺸﻟا

تﺎﻤﻠﻜﻟا ﺔﯿﺣﺎﺘﻔﻤﻟا : ﺔﻐﻠﻟا ﺔﯿﺑﺮﻌﻟا

،ﺎﮭﺑادآو ﺔﻐﻠﻟا ﺔﯿﺑﺮﻌﻟا

،ﺎﮭﺘﻏﻼﺑو ﺮﻌﺸﻟا

،يﻮﻣﻷا

،ءﺎﺛﺮﻟا

،ﺔﯿﺑﻮﻠﺳﻷا .قدزﺮﻔﻟا

48. el-Farazdaq’ın yeğeni için ağıtı: Analitik ve biçimsel bir çalışma Öz

Bu makale, el-Farazdaq’ın yeğeni Muhammed’e yakındığı şiirine yönelik analitik ve üslupla ilgili bir incelemeyi ele almaktadır. el-Farazdaq çok sert biri olarak biliniyordu ve aynı zamanda Carîr ile şiirsel tartışmalarıyla ünlüydü. Dolayısıyla bu ağıt, edebi eserleri içerisinde bir mihenk taşıdır.

Ayrıca bu makale, bu şiirin tematik içerik incelemeyi ve bu içeriklere dil modelini temsil eden en belirgin üslup tekniklerini ortaya çıkarmayı amaçlamaktadır. Bu nedenle bu çalışma, içerik analizi yöntemine ve stilistik yönteme dayanmaktadır. Bu makale iki ana bölüme ayrılmaktadır: Birincisi, şiirin içerik çeşitliliğine göre birkaç bölüme ayrıldığı içerik analizi, ikincisi ise üslup analizi olup o da iki bölüme ayrılmaktadır: Dilsel üslup analizi ve makalenin birçok biçimsel özelliği bulduğu fonetik üslup yönetm. Dilsel üslup analizi, diksiyon ve şiirsel akışın düzgünlüğü gibi birçok yönü ve buna ek olarak fikirlerin, kelimelerin ve sözün tekrarını kapsamaktadır. Fonetik üslup analizine gelince, o şiiri müzikal açıdan ele alıp ölçü, kafiye ve ritim bakımdan incelemiştir. Bu inceleme, şiirsel içeriğin genellikle merhumun erdemlerini kutlayan ve ölümünün üzüntü ve acısını dile getiren standart ağıt şiirlerinin ortak çerçevesinin dışına çıkmadığı sonucuna ulaşmıştır. Şiirin üslup düzeyi ise bu sanatsal üslupların ilham verdiği kapalı anlamların yanı sıra şiirsel çağrışımları göstermede varyant üslup teknikleri ile önemli rol oynamıştır. Aynı şekilde bu inceleme, el- Farazdaq’ın bu şiir türünde üstün olduğunu ve bu konuda şiir yazmayı azaltmasının teknik meselelerle veya şiirsel bir zayıflıkla ilgisinin olmadığı sonucuna varmıştır. Bu çalışma, şairlerde

1 Dr. Öğr. Üyesi, Pamukkale Üniversitesi, İlahiyat Fakültesi, Temel İslam Bilimleri Bölümü, Arap Dili ve Belagati ABD (Denizli, Türkiye), mabdulqader@pau.edu.tr, ORCID ID: 0000-0001-6031-7702 [Araştırma makalesi, Makale kayıt tarihi: 05.02.2021-kabul tarihi: 20.03.2021; DOI: 10.29000/rumelide.897384]

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bulunan bu eşsiz fenomenleri açığa çıkarmak amacıyla söyleyenlerin nadiren bahsettikleri konular hakkında dile getirilen şiirler üzerinde daha fazla inceleme yapılmasını önermektedir.

Anahtar kelimeler: Arap dili ve edebiyatı, Arap dili ve belagati, deyişbilim, Emevi şiiri, ağıt, el- Farazdaq

Al-Farazdaq’s eulogy for his nephew: An analytic and a stylistic study Abstract

This paper tackles an analytical and a stylistic study to al-Farazdaq’s poem when he lamented his nephew Mohammed. al-Farazdaq was known for being a very tough person and he, also, was famous for his poetic dispute with Jareer. Hence, this poem was a prominent benchmark in his literary works. Moreover, this paper aims to study the subjective content of this poem and to uncover the most noticeable stylistic techniques that represent the lingual model to these contents.

Therefore, this paper is based on the content analytical approach and the stylistic approach. This paper consists of two main sections: first, the content approach in which the poem was divided into several parts according to their content diversity. Second, the analytical approach and also it is divided into two sections: the lingual stylistic approach and the phonetic stylistic approach in which the paper found out many stylistic features. The stylistic analysis covers many aspects such as the diction and the smoothness of the poetic flow. In addition, the study covers the repetition of ideas, words and wordiness. As for the phonetic stylistic approach, it tackled the poem from a musical point view and examined the meter, rhythm and rhyme. The study found out that the poetic content didn’t extend outside the common frame of the standard eulogy poems that usually celebrate the deceased’s virtues and mourn his/her death. As for the stylistic level of the poem, the variant stylistic techniques play a major role in showing the poetic connotations in addition to the underlined themes. Similarly, the paper revealed that al-Farazdaq was superior in this genre of poetry and he is being concise in his poetry has nothing to do with stylistic issues or a poetic weakness. This study recommends performing more studies and papers on the poems that was written about rare topics that were rarely tackled by their poets to highlight this unique phenomenon of these poets.

Keywords: Arabic language and literature, Arabic language and rhetoric, The Umayyad poetry, eulogy, stylistics, al-Farazdaq

Summary

Al-Farazdaq (641-732) whose real name is: Hammâm ibn Ṣaʿṣaʿah ad-Dârimiy at-Tamîmiy. He was famous for his pride, satire and praise poetry. Also, he was known for his poetic dispute with Jareer (653-728) who was famous for combination of pride and satire poetry. He wrote very little outside these poetic genres especially in eulogy to the extent that when his wife died, she was lamented by Jareer’s poetry. However, al-Farazdaq has lamented his nephew who died in Jericho.

The Importance of the Poem: this poem was distinctive and broke the common frame of al-Farazdaq’s poetry that made the scholar to study it and to analyze its stylistics and content. This eulogy poem was very rare to al-Farazdaq since he rarely wrote Eulogy. Thus, this paper unravels al-Farazdaq great poetic potential in this genre.

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The Questions of the study

1, What are the poetic content that was tackled in al-Farazdaq eulogy poem for his nephew?

2. What are the stylistic features of al-Farazdaq’s eulogy poem?

3. What is the role that the stylistic features had in showing and expressing the poetic content?

4. How good is al-Farazdaq at Eulogy?

The Approach of the study

This paper is based on the content analytical approach and the stylistic approach. This paper consists of two main sections: first, the content approach in which the poem was divided into several parts according to their content diversity. Second, the analytical approach and also it is divided into two sections: the lingual stylistic approach and the phonetic stylistic approach in which the paper found out many stylistic features. The stylistic analysis covers many aspects such as the diction and the smoothness of the poetic flow. In addition, the study covers the repetition of ideas and words and wordiness. As for the phonetic stylistic approach, it tackled the poem from a musical point of view and examined the meter, rhythm and rhyme.

The results of the study

The paper found out that Al Farzdaq’s eulogy poem for his nephew has stylistically followed the main frame of eulogy poems such as lamenting and praising the deceased in addition to depicting the poet status and what becomes of him as a result of the death of the deceased.

As for the lingual stylistic level, the poet followed the common traditional diction and varied between smoothness and eloquence. Furthermore, repetition is remarkable and evident feature in displaying the lamenting, mourning and praising the deceased. Wordiness, also, is a very obvious poetic characteristic throughout the poem. The feeling of sadness wasn’t very dominant at the beginning of the calamity, yet it gave way to the poem to be vividly expressive and depictive.

As for the phonetic stylistic level, the paper investigated the poem from a musical point of view. The paper has found out that the poem was written in the “long meter” which has many syllables.

According to the scholar, that was a result of the long period between writing the poem and the death occurrence. As for the internal rhythm, it covered the formative sounds of the poem and the rhymes.

The paper has, also, found out that this poem consists of \æ\, \m\ and \h\. It was noticeable that this rhyme consists of two long vowels. The huge presence of the vowels voiced, and nasals sounds reflects the apparent and prevailing mourning and lamenting throughout the poem that are the central feelings in this genre of poetry which is Eulogy.

The paper has found out that al-Farazdaq was good at this genre of poetry although he didn’t write much in this genre. In other words, his minimum and little literary legacy of eulogy is not as a result of being inadequate or weak at writing Eulogy.

This paper recommends writing more studies and papers on the poems that was written about rare topics that were rarely tackled by their poets to highlight this unique phenomenon of these poets.

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ﺔﻣّدﻘﻣ

فرُﻋ قدزرﻔﻟا 641)

732- (م وھو مﺎﻣھ نﺑ بﻟﺎﻏ نﺑ ﺔﻌﺻﻌﺻ ّﻲﻣرادﻟا

،ّﻲﻣﯾﻣﺗﻟا هرﺎﻌﺷﺄﺑ ﻲﻓ رﺧﻔﻟا ءﺎﺟﮭﻟاو

،ﺢﯾدﻣﻟاو ﻻ ﺎﻣﯾﺳ

ﮫﺿﺋﺎﻘﻧ ﻊﻣ رﯾرﺟ ) 653 - 728 (م ﻲﺗﻟا تﻧﺎﻛ ﺎﺟﯾزﻣ نﻣ رﺧﻔﻟا .ءﺎﺟﮭﻟاو وھو ّلﻘﻣ ادﺟ ﻲﻓ رﯾﻏ هذھ ﻊﯾﺿاوﻣﻟا ﻻ

ﺎﻣﯾﺳ ءﺎﺛرﻟا ﻰﺗﺣ ﮫﻧإ

ﺎﻣﻟ تﺗﺎﻣ ﮫﺗﺟوز راوﻧﻟا اوﺣﺎﻧ ﺎﮭﯾﻠﻋ ةدﯾﺻﻘﺑ رﯾرﺟ ﻲﻓ ءﺎﺛر ﮫﺗﺟوز مأ

2ةرزﺣ ﻲﺗﻟا :ﺎﮭﻌﻠطﻣ

ﻻﻮﻟ ءﺎﯿﺤﻟا ﻲﻨﯿﺟﺎﮭﻟ رﺎﺒﻌﺘﺳا ترﺰﻟو

كﺮﺒﻗ ﺐﯿﺒﺤﻟاو 3راﺰﯾ

رﯾﻏ ّنأ ّلﻛﻟ ةدﻋﺎﻗ

،ّذاوﺷ دﻘﻓ نﺎﻛ قدزرﻔﻠﻟ نﺑا خأ ﻰﻋدﯾ ادﻣﺣﻣ لﺣر ﮫﻌﻣ ﻰﻟإ مﺎﺷﻟا تﺎﻣو كﺎﻧھ ﻲﻓ

،ءﺎﺣﯾرأ ﻲھو ﺎﻣ فرﻌﺗ موﯾﻟا

ﺔﻧﯾدﻣﺑ ﺎﺣﯾرأ ﻲﻓ نﯾطﺳﻠﻓ .ﺔﻠﺗﺣﻣﻟا دﻗو هﺎﺛر قدزرﻔﻟا ةدﯾﺻﻘﺑ نﻣ دّﯾﺟ

4هرﻌﺷ . ّلﻌﻟو ةدارﻔﻟا ﻲﺗﻟا ّزﯾﻣﺗﺗ ﺎﮭﺑ هذھ ةدﯾﺻﻘﻟا نﻋ طﻣﻧﻟا

مﺎﻌﻟا نﻣﯾﮭﻣﻟا ﻰﻠﻋ رﻌﺷ قدزرﻔﻟا دﻗ ﻊﻓد ثﺣﺎﺑﻟا ﺎﮭﺗﺳاردﻟ ﺎﮭﻠﯾﻠﺣﺗو

ﺎﻧوﻣﺿﻣ .ﺎﺑوﻠﺳأو مﺳﻘﻧﺗو ﺔﺳاردﻟا ﻰﻟإ نﯾﻣﺳﻗ ﺎﻣھ لﯾﻠﺣﺗﻟا

ّﻲﻧوﻣﺿﻣﻟا ﻲﻧﺎﻌﻣﻠﻟ

ﺔﯾرﻌﺷﻟا ةدراوﻟا ﻲﻓ

،ةدﯾﺻﻘﻟا رﺧﻵاو وھ لﯾﻠﺣﺗﻟا ﻲﺑوﻠﺳﻷا يذﻟا

لوﺎﻧﺗﯾ رھاوظ ﺔﯾﺑوﻠﺳأ ةدﯾدﻋ ﻲﻓ .ةدﯾﺻﻘﻟا

لﯾﻠﺣﺗﻟا.1 ﻲﻧوﻣﺿﻣﻟا

مﻟ جرﺧﺗ نﯾﻣﺎﺿﻣﻟا ﺔﯾرﻌﺷﻟا

قدزرﻔﻠﻟ ﻲﻓ ءﺎﺛر نﺑا ﮫﯾﺧأ نﻋ ﻲﻧﺎﻌﻣﻟا فرﺎﻌﺗﻣﻟا ﺎﮭﯾﻠﻋ

ﻲﻓ دﺋﺎﺻﻗ

،ءﺎﺛرﻟا نﻣ ّﻲﺛرﻣﻟاءﺎﻛﺑ ﻊﺟﻔﺗﻟاو ﮫﯾﻠﻋ

رﻛذو

،ﮫﺑﻗﺎﻧﻣ ﺔﻓﺎﺿإ ﻰﻟإ رﯾوﺻﺗ لﺎﺣ ﻲﺛارﻟا ﺎﻣو لآ ﮫﯾﻟإ ﮫﻟﺎﺣ رﺛإ .دﻘﻔﻟا ﺎﻣﯾﻓو ﻲﻠﯾ نﺎﯾﺑ تﻼﺻﻔﻣﺗﻟا ﺔﯾﻋوﺿوﻣﻟا

ﻲﻓ ﺔﯾﺛرﻣ قدزرﻔﻟا

نﺑﻻ .ﮫﯾﺧأ

أدﺑﯾ رﻋﺎﺷﻟا ةدﯾﺻﻗ :ﮫﻟوﻘﺑ

1 ﻰَﻘَﺳ- َءﺎَﺤِﯾ ْرأ ُﺚْﯿَﻐﻟا ﻲھ َو ٌﺔَﻀﯿِﻐَﺑ

ّﻲﻟإ

ْﻦِﻜَﻟ َو ُهﺎَﻘﺴُﯿﻟﻲﺑ ﺎَﮭُﻣﺎَھ

2 - َﻦ ِﻣ ِﻦﯿَﻌﻟا ﱡﻞَﺤْﻨُﻣ ﻲﻟاﺰَﻌﻟا ُﮫُﻗﻮُﺴَﺗ

ٌبﻮُﻨَﺟ

ٍدﺎَﻀْﻧﺄِﺑ ّﺢُﺴَﯾ ﺎَﮭُﻣﺎَﻛ ُر

3 - اذإ ْﺖَﻌَﻠ ْﻗأ ﺎَﮭْﻨَﻋ ٌءﺎَﻤَﺳ ٌﺔ ّﺤِﻠُﻣ َﺞّﻌَﺒَﺗ

ْﻦ ِﻣ ى َﺮ ْﺧ ُأ َﻚْﯿَﻠَﻋ ﺎﮭُﻣﺎﻤَﻏ

لﮭﺗﺳﯾ رﻋﺎﺷﻟا ﮫﺗﯾﺛرﻣ روﺻﺑ

،ةرﺷﺎﺑﻣ نود رﻛذ

،تﺎﻣدﻘﻣ وأ ﺔﺋطوﺗ

،ﮫﺗﯾﺛرﻣﻟ َلَﻌﻟو اذھ ﻊﺟار ﻰﻟا مادﺗﺣا فطاوﻋ رﻋﺎﺷﻟا

،ﺎﮭﺟﺟﺄﺗو

وﮭﻓ لوﻐﺷﻣ رطﺎﺧﻟا ءﺎﺛرﻟﺎﺑ نﻋ يأ تﺎﻣدﻘﻣ ﺔﯾدﯾﻠﻘﺗ ﻻ ﺎﻣﯾﺳ تﺎﻣدﻘﻣﻟا ﺔﻠﯾﻠطﻟا وأ

،بﯾﺳﻧﻟا ﻲﻓو اذھ لوﻘﯾ نﺑا ﻖﯾﺷر ﻲﻧاورﯾﻘﻟا ﻲﻓ

:ةدﻣﻌﻟا سﯾﻟو"

نﻣ ةدﺎﻋ ءارﻌﺷﻟا نأ اوﻣدﻘﯾ لﺑﻗ ءﺎﺛرﻟا ًﺎﺑﯾﺳﻧ ﺎﻣﻛ نوﻌﻧﺻﯾ كﻟذ ﻲﻓ حدﻣﻟا

"ءﺎﺟﮭﻟاو

،5

مﻟو ّدﻧﯾ نﻋ هذھ ةدﻋﺎﻘﻟا ﻻإ رزﻧ

رﯾﺳﯾ ﻻ سﺎﻘﯾ

6ﮫﯾﻠﻋ .

وﮭﻓ أدﺑﯾ ﮫﺗﯾﺛرﻣ ءﺎﻋدﻟﺎﺑ ﺎﯾﻘﺳﻟﺎﺑ نﺎﻛﻣﻠﻟ يذﻟا نﻓد ﮫﯾﻓ

،ﻲﺛرﻣﻟا دﻣﺣﻣ نﺑ

،لطﺧﻷا مدﻘﯾو ﮫﺋﺎﻋد اذھ ﻲﻓ ةروﺻ ﺔﺿﻗﺎﻧﺗﻣ دّﻟوﺗ ًﺎﻋوﻧ نﻣ

ﺔﯾرﺧﺳﻟا

،ة ّرُﻣﻟا وﮭﻓ وﻋدﯾ ﺎﯾﻘﺳﻟﺎﺑ نﺎﻛﻣﻠﻟ ضﯾﻐﺑﻟا ﻰﻟإ ﮫﺳﻔﻧ ثﯾﺣ دﻘﻓ

،ﮫﯾﺛرﻣ ﻻ لﺟﻷ نﺎﻛﻣﻟا

،ﮫﺳﻔﻧ لﺑ لﺟﻷ نﻣ ادﻏ ًﺎﻧﻛﺎﺳ ﮫﯾﻓ وھو ذإ

غرﻔﯾ نﻣ ءﺎﻋدﻟا

،ﺎﯾﻘﺳﻟﺎﺑ لﺻﻔﯾو ﻲﻓ

،ﺎﮭﻔﺻو ﻲﮭﻓ ﺎﯾﻘﺳ

،ةرﯾزﻏ بﺑﺻﺗﺗ نﻣ بﺣﺳ

،لﺎﻘﺛ ﺎﻣﻠﻛ تﻌﺷﻘﻧا نﻋ ءﺎﻣﺳ

،ءﺎﺣﯾرأ لﺣ ﺎﮭﻧﺎﻛﻣ

بﺣﺳ ىرﺧأ لﺎﺛﻧﯾ ﺎﮭﻧﻣ ءﺎﻣﻟا .ًﻻﺎﯾﺛﻧا اذھو لﻼﮭﺗﺳﻻا لﻣﺣﯾ

ﻲﻓ هﺎﯾﺎﻧﺛ تارﺎﺷإ ﺔّﻟاد ﻰﻠﻋ عوﺿوﻣ ةدﯾﺻﻘﻟا – ءﺎﺛرﻟا - نﻣ لﻼﺧ ءﺎﻋدﻟا

ﺎﯾﻘﺳﻟﺎﺑ رﻛذو

،مﺎﮭﻟا و وھ ءزﺟ نﻣ رﻛﻔﻟا يروطﺳﻷا ﻲﻠھﺎﺟﻟا

يذﻟا نﺎﻛ روﺻﺗﯾ نأ رﺋﺎط ًا ﯾ ثﻌﺑﻧ نﻋ مﺎظِﻋ

،تﯾﻣﻟا ﻰﻘﺑﯾﻓ نﺂﻣظ بﻠطﯾ

،ﺎﯾﻘﺳﻟا رﯾﻏ نأ هذھ تارﺎﺷﻹا تﺎﺣﯾﻣﻠﺗﻟاو

ﻲﺗﻟا ﻲﺷﺗ نزﺣﻟﺎﺑ عوﺿوﻣﺑو ءﺎﺛرﻟا:ةدﯾﺻﻘﻟا

ﻰﻘﺑﺗ ﺔﻣﺎﻋ ﺎﮭﺑوﺷﯾ برﺿ نﻣ ضوﻣﻐﻟا

نﺎﻋرﺳ ﺎﻣ ﮫﻔﺷﺗﻛﯾ رﻋﺎﺷﻟا ﻲﻓ ﻊطﻘﻣﻟا :ﻲﻧﺎﺛﻟا

2 (el-Muberrid, 1421 H., s.108).

3 (Carîr, 1986, s. 154).

4 (el-Farazdaq, 1987, ss. 521-524).

5 (el-Qayravâniy, 2007, c. 2 s. 171); Bkz. (ʿAtvân, 1970, s. 110; el-Yûsuf, 1980, s. 352).

6 Bkz. (İbn eṣ-ṣummah, 1980, s. 45; el-‘İbâdiy, 1965, s. 157).

(5)

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phone: +90 505 7958124, +90 216 773 0 616

4 ﱡﺖِﺒَﻓ - ْي َﺮْﯾَﺪِﺑ َءﺎﺤْﯾ ْرأ ٍﺔَﻠْﯿَﻠِﺑ

،ٍﺔّﯾ ِراﺪُﺧ ُداد ْﺰُﯾ ًﻻﻮُط ﺎَﮭُﻣﺎَﻤَﺗ

5 - ﺎَﻛُأ ﺎَﮭﯿﻓ ُﺪﺑ ﺲْﻔَﻧ ِب َﺮْﻗأ ﻦﻣ ﻰَﺸﻣ

ُهﻮُﺑأ ٍﺲْﻔَﻨِﻟ َتﺎَﻣ ﺎَﮭُﻣﺎَﯿِﻧﻲﻨَﻋ

ﻲﻓو اذھ ﻊطﻘﻣﻟا أدﺑﯾ صﻧﻟا لﺎﻘﺗﻧﻻﺎﺑ نﻣ هرﺎطإ مﺎﻌﻟا ﻰﻟإ رﺎطإ

،صﺎﺧ ثﯾﺣ ددﺣﺗﺗ ﺢﻣﻼﻣ ﺔﯾﺛرﻣﻟا ءﻲﺷﺑ نﻣ .لﯾﺻﻔﺗﻟا أدﺑﯾو

رﻋﺎﺷﻟا

اذھ ﻊطﻘﻣﻟا طﯾﻠﺳﺗﺑ ءاوﺿﻷا ﻰﻠﻋ ﮫﺗاذ كﻟذو نﻷ ﺔﯾﺛرﻣﻟا ﺔﻘﯾﺛو ﺔﯾﺳﻔﻧ

،ﻲﺛارﻠﻟ ﻲھو سﺎﻛﻌﻧﻻا يرﻌﺷﻟا

ﻊﻗاوﻟ ﮫﺷﯾﻌﯾ

،رﻋﺎﺷﻟا روﺻﯾﻓ

رﻋﺎﺷﻟا ﮫﺗاذ ﻲﻓ تﯾﺑﻟا ﻊﺑارﻟا ًﺎﻣوﻣﮭﻣ

،ًﺎﻧﯾزﺣ ﻲﻓ ﺔﻠﯾﻟ ﺔﻣﻠظﻣ ﺎھﺎﺿﻗ ﻲﻓ

،ءﺎﺣﯾرأ ثﯾﺣ ﻲﻓوﺗ

،ﮫّﯾﺛرﻣ لﻌﻟو ﻲﻓ اذھ تﯾﺑﻟا ادﯾدﺣﺗ رﺎطﻺﻟ

ﻲﻧﺎﻣزﻟا ّﻲﺟرﺎﺧﻟا .صّﻧﻠﻟ

ﺔﻣﻠظو لﯾﻠﻟا ﮫﯾﺗﺄﺗﻣ نﻣ :نﯾﺑﻧﺎﺟ بﻧﺎﺟ

،ﻲﻌﯾﺑط وھو موﻠﻌﻣ بﻧﺎﺟو رﺧآ

،ﻲﺳﻔﻧ هّدرﻣ طﺎﻘﺳإ رﻋﺎﺷﻟا ﮫﺗﻟﺎﺣ

ﺔﯾﺳﻔﻧﻟا ﻰﻠﻋ ﺔﺋﯾﺑﻟا ﺔﯾﻧﺎﻛﻣﻟا ﻲﺗﻟا دﺟاوﺗﯾ ﺎﮭﯾﻓ ﻲﻓ مﺎﻘﻣ .ءﺎﺛرﻟا ﺎﻣﻛ نأ لوط لﯾﻟ مﺎﻣﺗﻟا ٍتﺄﺗﻣ نﻣ :نﯾﺑﻧﺎﺟ لوﻻا بﻧﺎﺟ ﻲﻌﯾﺑط ﻲﻟﺎﯾﻠﻓ

مﺎﻣﺗﻟا لوطأ ﺎﻣ نوﻛﺗ ﻲﻓ

،ءﺎﺗﺷﻟا بﻧﺎﺟﻟاو رﺧﻷا

،ﻲﺳﻔﻧ لﯾﻠﻓ بﱠذﻌﻣﻟا لﯾوط ﻻ ﺔﯾﺎﮭﻧ .ﮫﻟ ﺎﻣﻣو دﯾزﯾ ﮫﻣﻟأ ﮫﻧأ ﻲﺿﻘﯾ كﻠﺗ ﺔﻠﯾﻠﻟا ﺔﻠﯾوطﻟا

،ةدرﺎﺑﻟا ﻲﺗﻟا لﻛﺷﺗ ًارﺎطإ ﮫﺗﻟﺎﺣﻟ ﺔﯾﺳﻔﻧﻟا ﺔﻐﻟﺎﺑ

،ءوﺳﻟا ًادﯾﺣو نود نأ دﺟﯾ نﻣ .ﮫﯾﺳاوﯾ

فﺷﻛﯾو ﻲﻓ تﯾﺑﻟا ﻲﻧﺎﺛﻟا نﻋ بﺑﺳ ﮫﺗﺎﻧﺎﻌﻣ ﻲﻓ كﻠﺗ

،ﺔﻠﯾﻠﻟا وھو هدﻘﻓ نﺑﻻ .ﮫﯾﺧأ اذإو ﺎﻣ ﺎﻧرظﻧ ﻰﻟإ اذھ وﺟﻟا يذﻟا طﯾﺣﯾ رﻋﺎﺷﻟﺎﺑ نﻣ

لﯾﻟ لﯾوط مﻠظﻣ درﺎﺑ ﻲﻧﺎﻌﯾ ﮫﯾﻓ دﺑﺎﻛﯾو دﻘﻓ ﮫﯾﺛرﻣ نود نأ دﺟﯾ نﻣ ﮫﯾﺳاوﯾ وأ فﻔﺧﯾ

،ﮫﻣﻻآ ﺎﻧﻧﺈﻓ كردﻧ

،ﺎﻧھ رﻓاوﺗ ﺔﺋﯾﺑ ﺔﺑﺻﺧ رﻋﺎﺷﻠﻟ

رﻛﻔﺗﯾﻟ لﻣﺄﺗﯾو ﻲﻓ

،ﮫﺑﺎﺻﻣ نوﻛﯾﻟ كﻟذ وھ ﻖﻠطﻧﻣﻟا

،ﻲﺳﺎﺳﻷا ﺎﻣﻟ

ﮫﻧﻣﺿﯾﺳ صﻧﻟا ﻲﻓ تﺎﯾﺑﻷا :ﺔﯾﻟﺎﺗﻟا

6 نﺎَﻛ َو - اذإ ٌض ْرأ ُﮫْﺗأ َر ْﺖَﻨّﯾ َﺰَﺗ

ِﮫِﺘَﯾؤ ُﺮِﻟ

ﺎَھؤا َﺮ ْﺤَﺻ ﺎَﮭُﻣﺎَﻛإ َو

7 ى َﺮَﺗ - َق ِﺰَﻣ ِلﺎﺑ ْﺮّﺴﻟا َق ْﻮﻓ ٍعﺪَﯿَﻤَﺳ

ُهاَﺪَﯾ

ِمﺎَﺘْﯾﻷ ِءﺎَﺘّﺸﻟا ﺎَﮭُﻣﺎَﻌَط

8 - ِﻞْﺜ ِﻣﻰﻠﻋ ِﻞْﺼَﻧ ِﻒْﯿّﺴﻟا ق ّﺰﻣ ُهَﺪﻤﻏ

ُب ِرﺎَﻀَﻣ

،ُﮫْﻨ ِﻣ ﻻ ّﻞَﻔُﯾ ﺎَﮭُﻣﺎَﺴُﺣ

9 ْﺖَﻧﺎَﻛ َو - َةﺎَﯿَﺣ َﻦﯿِﻜِﻟﺎَﮭﻟا ُﮫُﻨﯿ ِﻤَﯾ

ِﺐﯿِّﻨﻠﻟ َو

ِلﺎَﻄْﺑﻷاو ﺎَﮭﻣﺎَﻤِﺳﺎﮭﯿﻓ

10 ْﺖَﻧﺎَﻛ َو - ُهاَﺪَﯾ

، ِﻦﯿَﻣ َز ْﺮ ِﻤﻟا ُه ُرْﺪِﻗ َو

ًﻼﯾِﻮَط

ِءﺎَﻨْﻓﺄِﺑ ِتﻮُﯿُﺒﻟا ﺎَﮭُﻣﺎَﯿ ِﺻ

11 ُق ﱠﺮَﻔَﺗ- ﺎَﮭْﻨَﻋ

، ُرﺎّﻨﻟا ُبﺎّﻨﻟا َو ﻲﻤﺗ ْﺮَﺗ

ﺎَﮭِﺑﺎَﺼْﻋﺄِﺑ

ﺎَھؤﺎ َﺟ ْرأ ﺎَﮭُﻣا َﺰِﺘْھا َو

12

ٌعﺎَﻤ ِﺟ - يّدﺆُﯾ ُﻞْﯿّﻠﻟا ِّﻞُﻛﻦﻣ ٍﺐﻧﺎَﺟ

ﺎﮭﯿَﻟإ ى َرا َواذإ َلﺎَﺒ ِﺠﻟا ﺎَﮭُﻣﻼَظ

13 ﻰَﻣﺎَﺘَﯾ - ِرﺎَﺛآﻰﻠﻋ

،ٍدﻮُﺳ ﺎَﮭّﻧﺄَﻛ

ٌلﺎَﺋ ِر

ﺎَھﺎَﻋَد ِﺖﯿِﺒَﻤﻠﻟ ﺎَﮭُﻣﺎَﻌَﻧ

14 ْﻦَﻤﻟ - َﻄ ْﺧأ ُﮫْﺗﺄ ُءﺎَﺤِﯾ ْرأ ْﺪَﻘَﻟ ْﺖ َﻣ َر ًﻰﺘَﻓ

َنﺎَﻛ َلّﻼَﺣ ﻲﺑا َو ّﺮﻟا ﺎَﮭُﻣﺎَﮭِﺳ

ﺎﻧھو عرﺷﯾ رﻋﺎﺷﻟا ﻲﻓ فﺻو بﻗﺎﻧﻣ

،ﮫﺗﯾﺛرﻣ ءﺎﺛرﻟﺎﻓ حدﻣ ﺔﻐﯾﺻﺑ

،ﻲﺿﺎﻣﻟا لوﻘﯾ

ﺔﻣادﻗ نﺑ :رﻔﻌﺟ سﯾﻟ"

نﯾﺑ ﺔﯾﺛرﻣﻟا ﺔﺣدﻣﻟاو

،لﺻﻓ

ﻻإ نأ رﻛذﻧ ﻲﻓ ظﻔﻠﻟا ﺎﻣ لدﯾ ﻰﻠﻋ ﮫﻧأ

،كﻟﺎھ لﺛﻣ

،(نﺎﻛ) و

،(ﻲﻓوﺗ) و ﻰﺿﻗ) (ﮫﺑﺣﻧ ﺎﻣو ﮫﺑﺷأ .كﻟذ اذھو ﻻ دﯾزﯾ ﻲﻓ ﻰﻧﻌﻣﻟا ﻻو

صﻘﻧﯾ نﻷ نﯾﺑﺄﺗ

،تﯾﻣﻟا ﺎﻣﻧإ وھ لﺛﻣﺑ ﺎﻣ حدﻣﯾ ﮫﺑ ﻲﻓ

"ﮫﺗﺎﯾﺣ ٌءاوﺳو 7

أ تﻧﺎﻛ ةدﯾﺻﻘﻟا ًﺎﺣدﻣ

،ًءﺎﺛر مأ نﺈﻓ رﻋﺎﺷﻟا لﻣﻌﯾ ﻰﻠﻋ رﻛذ

بﻗﺎﻧﻣ ﮫﺣودﻣﻣ وأ

،ﮫﯾﺛرﻣ ﺎﻣﺑ ﮫﻠﺻوﯾ ﻰﻟإ ﺔﺟرد لﺎﻣﻛﻟا ﻖﻠطﻣﻟا يذﻟا ﻻ ﮫﺑوﺷﺗ .ﺔﺻﯾﻘﻧ

قدزرﻔﻟاو ﻰﻠﻋ

ةدﺎﻋ ءارﻌﺷﻟا ﻲﻓ حدﻣﻟا ءﺎﺛرﻟاو رﻛذﯾ لﺎﺻﺧ ﮫﯾﺛرﻣ

،ﺔﯾﺻﺧﺷﻟا ﻻ

ﺎﻣﯾﺳ ﺔﻋﺎﺟﺷﻟا

،مرﻛﻟاو وﮭﻓ لﺟر َﺣاذإ ّل ًﺎﺿرأ

تﻧﯾزﺗ ﺎﻣﺑ لﻌﻔﯾ نﻣ فورﻌﻣ ﺎﯾﺣﺗو ﮫﺋﺎﺧﺳﺑ .ﮫﻣرﻛو ﻲﻓو تﯾﺑﻟا ﻊﺑﺎﺳﻟا ﮫﻔﺻﯾ ﻲﻓ رطﺷﻟا لوﻷا ﮫﻧﺄﺑ دﯾﺳ مﯾرﻛ لﯾﻣﺟ

،مﺳﺟﻟا نﺳﺣ

لﻛﺷﻟا اذھو فﺻوﻟا نﺳﺣﻠﻟ

،يدﺳﺟﻟا رﺿﺎﺣ

ﻲﻓ حدﻣﻟا ﻲﺛارﻣﻟاو رﯾﻏ

ﮫﻧأ رﺋﺎﺳ ﻲﻓ ﻲﺛارﻣﻟا ةروﺻﺑ رﺑﻛأ لﺑ دﻗ ﱡدﻌﯾ ﺎﺑﯾﻋ ﻲﻓ

،حدﻣﻟا

ّلﻌﻟو كﻟذ ﻊﺟرﯾ ﻰﻟإ دﺎﻘﺗﻓا دﺳﺟ ﻲﺛرﻣﻟا ﻲﻓ ﺔظﺣﻟ ءﺎﺛرﻟا هرﺿﺣﺗﺳﯾﻓ نﺑؤﻣﻟا

ُﮫّﻠﻋ ﻰﻠﺳﺗﯾ هرﻛذﺑ .ﮫﻔﺻوو نﺄﻛو هرﺎﺿﺣﺗﺳا ﻲﺳﻧﯾ

،نﺑؤﻣﻟا وﻟو

،ﺔظﺣﻠﻟ ةرﻛﻓ توﻣ

،ﮫﯾﺛرﻣ اذﻟ هدﺟﻧ مدﺧﺗﺳﯾ لﻌﻔﻟا عرﺎﺿﻣﻟا (ىرﺗ)

ﻲﻓ ﮫﺛﯾدﺣ نﻋ ﺔﻔﺻ ﻲﺛرﻣﻟا ﮫﻧﺄﻛو ّﻲﺣ نﯾﺑ ﻲﻧارﮭظ

.سﺎﻧﻟا ﻲﻓ نﯾﺣ نﺎﻛ مدﺧﺗﺳﯾ

،ﻲﺿﺎﻣﻟا ﻲﻓ

ﮫﺛﯾدﺣ نﻋ ﮫﺗﺎﻔﺻ .ىرﺧﻷا

7 (İbn Ca’far, ts., 118).

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Address

phone: +90 505 7958124, +90 216 773 0 616

ﻊﺑﺎﺗﯾو رﻋﺎﺷﻟا فﺻو ﮫﯾﺛرﻣ رﻛذو

،ﮫﺑﻗﺎﻧﻣ وﮭﻓ ٌداوﺟ مﯾرﻛ مﻌطﯾ مﺎﺗﯾﻷا عﺎﯾﺟﻟا ﻲﻓ ءﺎﺗﺷﻟا ثﯾﺣ نوﻧوﻛﯾ ﻲﻓ سﻣأ ﺔﺟﺎﺣﻟا .مﺎﻌطﻠﻟ وھو

سرﺎﻓ عﺎﺟﺷ ﮫﻔﯾﺳ ﻻ

،لﻔﯾ ﻲﻓو ﮫﻧﯾﻣﯾ ةﺎﯾﺣ نﯾﻛﻟﺎﮭﻟا

،هدوﺟﻟ ﺎﮭﯾﻓو ًﺎﺿﯾأ توﻣ مارﻛ ﻹا لﺑ ﺎھرﺣﻧﯾ .ﮫﻓوﯾﺿﻟ ﺎﮭﯾﻓو

توﻣ لﺎطﺑﻷا

نﺎﻌﺟﺷﻟا ﺎﮭﻧﺄﻛ ّمُﺳ لﺗﺎﻗ .مﮭﻟ وھو درطﺗﺳﯾ ﻲﻓ رﻛذ ﺔﺑﻘﻧﻣ مرﻛﻟا رﯾوﺻﺗو

،ﺎﮭﺗﻼﺛﻣﺗ دﯾﻓ

ﮫﯾﺛرﻣ ﺎﮭﻧﺄﻛ ثﯾﻏ ثﺎﻐﯾ ﮫﺑ سﺎﻧﻟا هردِﻗو

ﺔﺑوﺻﻧﻣ ﻰﻠﻋ ماودﻟا ﻲﻓ ﮫﺣﺎﺳ

،ﮫﺗﯾﺑ ﻲھو ﺔﻋﺎّﻣﺟردﻗ

، اذإ ﺎﻣ دﻗوأ ﺎﮭﺗﺣﺗ

،تﻠﻏو ﻊﻣُﺳ توﺻ ﻊطﻗ مﺣﻟ لﺑﻹا ةزﻧﺗﻛﻣﻟا طﺑﺗرﯾ

،ﺎﮭﺋﺎﺟرﺄﺑ

ﻊﻣﺗﺟﯾﻓ ﺎﮭﯾﻟإ ﻰﻣﺎﺗﯾﻟا لﻣارﻷاو نﻣ

لُﻛ بدﺣ

،بوﺻو ﻲﻓ

ةرﺎﺷإ ﻰﻟإ عﺎﯾذ تﯾﺻ ﻲﺛرﻣﻟا .ﮫﻣرﻛو ﻲﻓو تﯾﺑﻟا رﯾﺧﻷا لﻣﺣﯾ رﻋﺎﺷﻟا

(ءﺎﺣﯾرأ) بﻧذ

توﻣ

،ﮫﯾﺛرﻣ ّلﻌﻟو كﻟذ نﻣ بﺎﺑ زﺎﺟﻣﻟا ﻻ

،رﺛﻛأ ﻲﻓو ﺎﯾﺎﻧﺛ كﻟذ رﻛذﯾ ًﻼﺛﻣ رﺧأ مرﻛﻟ ﮫﯾﺛرﻣ وھ ﮫﻧأ نﺎﻛ لزﻧﯾ ﻖطﺎﻧﻣﻟا

ﺔﻌﻔﺗرﻣﻟا ىرﯾﻟ فوﯾﺿﻟا ﮫﺗﯾﺑ نوﻔﻌﻣﻟاو بﻼطو

.فورﻌﻣﻟا

رﻋﺎﺷﻟاو ﻲﻓ هرﻛذ بﻗﺎﻧﻣ

،ﮫﯾﺛرﻣ لوﺎﺣﯾ رﺎﺿﺣﺗﺳا ةروﺻ

ﻲﺿﺎﻣﻟا

،لﯾﻣﺟﻟا ﻲﻓ ﺔﻟوﺎﺣﻣ فﯾﻔﺧﺗﻟ ةﺄطو ﻊﻗاوﻟا ﺎﻣﺑ ﮫﯾﻓ نﻣ نزﺣ .مﻟأو

رﯾﻏ نأ هرﺎﺿﺣﺗﺳا اذﮭﻟ

ﻲﺿﺎﻣﻟا ﻻ ﮫﻠﺧدﯾ ﻲﻓ ةوﺷﻧ

،ﺔﺑذﺎﻛ ﺔﯾﺳﻧﺗ ﻊﻗاوﻟا

، ّرُﻣﻟا لﺑ رﮭظﯾ رﻋﺎﺷﻟا ًﺎﻧزﺗﻣ ﻲﻓ ﮫﺛﯾدﺣ نﻋ ﻲﺿﺎﻣ ﮫّﯾﺛرﻣ

ًﺎﯾﻋاو .ﮫﺗﺑﯾﺻﻣﻟ دﺟﻧﻓ

ﺔﻐﯾﺻ ﻲﺿﺎﻣﻟا ﻲھ ﺔﺑﻟﺎﻐﻟا ﻰﻠﻋ ﮫﺛﯾدﺣ نﻋ

،ﮫﯾﺛرﻣ مﻟو رﺿﺣﯾ عرﺎﺿﻣﻟا ﻻإ

ﻲﻓ فﺻو نﺳﺣ

،ﻲّﺛرﻣﻟا دﻗو ءﺎﺟ

ًﺎﺿﯾأ ﻲﻓ فﺻو فﯾﺳﻟا ﻲﻓ تﯾﺑﻟا سﻣﺎﺧﻟا ﻻو)

،(لﻔﯾ فﺻوو ردﻘﻟا بﺎﻧﻟاو ﻲﻓ تﯾﺑﻟا نﻣﺎﺛﻟا

،(قرﻔﺗ)

،(ﻲﻣﺗرﯾ) ردﻘﻟاو

ًﺎﺿﯾأ ﻲﻓ

تﯾﺑﻟا ﻊﺳﺎﺗﻟا (يدؤﯾ) رﯾﻏ نأ هذھ تﺳﯾﻟ ًﺎﻓﺎﺻوأ ﻲﺛرﻣﻠﻟ ﺎﻣﻧإو روﻣﻷ ﺔﻘﻠﻌﺗﻣ .ﮫﺑ ﮫﯾﻠﻋو نوﻛﯾ رﺎﺿﺣﺗﺳا رﻋﺎﺷﻟا

تﺎﻔﺻﻟ ﮫﯾﺛرﻣ ﻲﺗﻟا

نﺎﻛ ﺎﮭﯾﻠﻋ ﻲﻓ

،ﮫﺗﺎﯾﺣ نﻣ بﺎﺑ ىوﻠﺳﻟا فﯾﻔﺧﺗﻟاو نﻣ

مﻻآ

،دﻘﻔﻟا نﻛﻟ نود نأ ﮫﺑﯾﻐﺗ نﻋ ﻊﻗاوﻟا يذﻟا

،شﯾﻌﯾ اذھو نازﺗﻻا ﻲﻋوﻟاو ﮫﻠﻘﻧﯾ

ﻰﻟإ فﻗوﻣ صﺎﺧ ﮫﻠﺛﻣﯾ تﯾﺑﻟا سﻣﺎﺧﻟا رﺷﻋ ﻲﻓ ةدﯾﺻﻘﻟا :وھو

15 - ْﻦِﺌَﻟ ّﺮَﺧ ْﺖَﻣ ﺎَﯾﺎَﻨَﻤﻟاﻲﻨَﻋ ًاﺪ ّﻤَﺤُﻣ

ْﺪَﻘَﻟ ﺎﻛ َن َﻦﯿﻟ ّوﻷاﻰﻨﻓأ ﺎَﮭُﻣا َﺮِﺘْﺧا

اذھو تﯾﺑﻟا لﺛﻣﯾ ﺔﻔﻗو لﻣﺄﺗ

،رﻋﺎﺷﻠﻟ وأ لﻘﻧﻟ ﺔﺣارﺗﺳا ﺎھذﺧﺄﯾ دﻌﺑ عارﺻ ﻊﻣ ﺔﻣاود تﺎﺿﻗﺎﻧﺗﻣﻟا ﻲﺗﻟا

ﺎﮭﺷﺎﻋ لﻼﺧ دﺣﻷا رﺷﻋ ًﺎﺗﯾﺑ

،ﺔﻘﺑﺎﺳﻟا دﻘﻓ نﺎﻛ ًﺎﻋزوﻣ نﯾﺑ ﻲﺿﺎﻣﻟا لﯾﻣﺟﻟا ثﯾﺣ ةﺎﯾﺣ

،ﮫﯾﺛرﻣ نﯾﺑو ﻊﻗاو دﻘﻔﻟا يذﻟا ﻻ ﻰﻔﺧﯾ .ﮫﯾﻠﻋ ّلﻛو نﻣ ﻲﺿﺎﻣﻟا رﺿﺎﺣﻟاو

ضرﻔﯾ ﻰﻠﻋ رﻋﺎﺷﻟا ﺔﻟﺎﺣ ﺔﯾﺳﻔﻧ

،ﺔﺻﺎﺧ ﻲﺿﺎﻣﻟﺎﻓ ﮫﻠﺧدﯾ

ﻲﻓ وﺟ نﻣ سﻧﻷا ىوﻠﺳﻟاو مﺛ ﮫﻓذﻘﯾ ﻰﻟإ ﻊﻗاو ﮫﻠﺧدﯾ ﻲﻓ ﺔﻟﺎﺣ نﻣ ﺔﺷﺣوﻟا

،مﻟﻷاو اذﻟ فﻔﺧﯾ رﻋﺎﺷﻟا ةﺄطو كﻟذ ﮫّﻠُﻛ ﮫﯾﻠﻋ نﺄﺑ فﻘﯾ ﺔﻔﻗو لﻣﺄﺗ ﻲﻓ

،ةﺎﯾﺣﻟا ررﻘﯾﻓ نأ توﻣﻟا وھ ِّلﻛرﯾﺻﻣ .ّﻲﺣ رﯾﻏ نأ اذھ ﻻ ﺢﻠﻔﯾ

ﻲﻓ فﯾﻔﺧﺗ مﻟأ رﻋﺎﺷﻟا وأ ﻖﯾﻘﺣﺗ ردﻗ رﯾﺳﯾ نﻣ ىوﻠﺳﻟا دوﻌﯾﻓ ﻲﻓ ﻊطﻘﻣﻟا ﻲﻟﺎﺗﻟا ﻰﻟإ ﮫﻌﺟﻔﺗ ﻰﻠﻋ

،ﮫﯾﺛرﻣ رﻛذﺑ ﮫﺑﻗﺎﻧﻣ ﻲﺗﻟا بﺳﺎﻧﺗﯾ

ﺎھدﺎﯾدزا ًﺎﯾدرط ﻊﻣ مﻟأ رﻋﺎﺷﻟا ﮫﺳﺎﺳﺣإو ﺔﻌﺟﺎﻔﻟﺎﺑ

:لوﻘﯾﻓ

16 ًﻰﺘَﻓ - َنﺎَﻛ ﻻ ﻲﻠْﺒُﯾ َرا َزﻹا ُﮫُﻔْﯿَﺳ َو

ﻲﻟا َﻮَﻤﻠﻟ ِﮫﺑ ِبا َﺮّﺘﻟاﻲﻓ

ﺎَﮭُﻣﺎَﻘِﺘْﻧا

17 ًﻰﺘَﻓ- ْﻢﻟ ْﻦُﻜَﯾ ﻰَﻋْﺪُﯾ ًﻰﺘَﻓ ﺲﯿﻟ ُﮫَﻠﺜﻣ

ُﺢﯾ ّﺮﻟااذ َقﺎﺳ َل ْﻮﱠﺸﻟا ﺎَﮭُﻣﺎﮭَﺟ ﻼﺷ

18 ًﻰﺘَﻓ - ِبﺎَﮭﺸَﻛ ِﻞْﯿّﻠﻟا ُﻊَﻓ ْﺮَﯾ ُه َرﺎَﻧ

ُرﺎّﻨﻟااذإ ﺎھﺎَﺒ ْﺧأ ٍرﺎﺴَﻟ ﺎَﮭُﻣا َﺮ ِﺿ

19 ﺎّﻨُﻛ َو - ى َﺮَﻧ ْﻦ ِﻣ ٍﺐِﻟﺎَﻏ ٍﺪّﻤَﺤُﻣﻲﻓ

َﻖِﺋﻼَﺧ ﻮُﻠْﻌَﯾ َﻦﯿِﻠِﻋﺎَﻔﻟا ﺎَﮭُﻣﺎَﺴ ِﺟ

20 ُﮫَﻣ ﱡﺮَﻛ- ﺎَﻤَﻋ

، ُﺮﱠﯿَﻌُﯾ ى َﺮِﻘﻟا َو

اذإ ُﺔَﻨّﺴﻟا ُءا َﺮ ْﻤَﺤﻟا َﺢّﻠَﺟ ﺎَﮭُﻣﺎَﻋ

21 َنﺎَﻛ َو - ًﺎّﯿَﺣ َﻦﯿِﻠ ِﺤ ْﻤُﻤﻠﻟ ًﺔ َﻤْﺼِﻋ َو

اذإ ُﺔَﻨّﺴﻟا ُءﺎَﺒْﮭّﺸﻟا ّﻞَﺣ ﺎَﮭُﻣا َﺮَﺣ

22 ْﺪﻗ َو - َنﺎﻛ َبﺎﻌْﺘ ِﻣ ّﻲﻄَﻤﻟا ﺎ َﺟ َﻮﻟاﻰﻠﻋ

ِﻒْﯿّﺴﻟﺎَﺑو

ُدا َز َﻦﯿِﻠ ِﻣ ْﺮُﻤﻟا ﺎَﮭُﻣﺎﯿِﺘﻋا

23 ﺎَﻣ َو- ْﻦ ِﻣ ًﻰﺘَﻓ ﺎّﻨُﻛ ُﻊﯿِﺒَﻧ ًاﺪ ّﻤَﺤُﻣ

ِﮫﺑ َﻦﯿﺣ ّﺰَﺘْﻌَﺗ ُرﻮُﻣُﻷا ﺎَﮭُﻣﺎَﻈِﻋ

24 - ﺎَﻣاذ ُءﺎَﺘِﺷ ِﻞ ْﺤَﻤﻟا ﻰَﺴﻣأ ﺪﻗ ىﺪﺗ ْرا

ِﻞْﺜ ِﻤﺑ

ِﻖﯿ ِﺤَﺳ ِنا َﻮُﺟ ْرُﻷا ﺎَﮭُﻣﺎﺘﻗ

25 - ُلﻮُﻗأ اذإ اﻮُﻟﺎَﻗ ْﻢَﻛ َو ٍﺔَﻠﯿِﺒَﻗ ْﻦﻣ

َﻚْﯿَﻟا َﻮَﺣ

ْﻢﻟ ْك َﺮﺘُﯾ ﺎﮭْﯿَﻠَﻋ ﺎَﮭُﻣﺎَﻨِﺳ

26 ﻰَﺑأ- َﺮْﻛ ِذ تا َر ْﻮَﺳ اذإ ِﺖّﻠُﺣ ﻰﺒُﺤﻟا َﺪﻨﻋ َو

،ى َﺮِﻘﻟا ُض ْرﻷا َو ٍلﺎﺑ ﺎَﮭُﻣﺎﻤُﺛ

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Address

phone: +90 505 7958124, +90 216 773 0 616

ﻲﻓو هذھ

،ﺔﻌطﻘﻟا دوﺎﻌﯾ رﻋﺎﺷﻟا ﮫﺛﯾدﺣ نﻋ بﻗﺎﻧﻣ

،نﱠﺑؤﻣﻟا ﮫﻔﺻﯾﻓ ﮫﻧﺄﺑ

،فﯾﻔﻋ ﻲﻘﻧ ضرﻌﻟا مﻟ سّﻧدُﯾ .ﺔﺻﯾﻘﻧﺑ دﻗو نﺎﻛ ًاروﯾﻏ ﻰﻠﻋ

ﮫﻣوﻗ

،ﮫﺋﺎﻔﻠﺣو رﺻﺗﻧﯾ مﮭﻟ ّدرﯾو مﮭﻧﻋ لﻛ مﻠظ وأ مﯾﺿ وأ .ﺔﻧﺎھإ وھو

،ّﻲﺧﺳمﯾرﻛ ثﯾﻐﯾ ﮫﻣرﻛﺑ سﺎﻧﻟا اذإ اوﺑدﺟأ اوﻠﺣﻣأو تﻠﻗو نﺎﺑﻟأ

.مﮭﻗوﻧ ﮫﻣرﻛﻟو هدﺟﺗ ﻊﻓرﯾ هرﺎﻧ ﻲﻓ لﯾﻠﻟا ﻰﺗﺣ نوﻛﺗ ًﻼﯾﻟد لﻛﻟ ﻊﺋﺎﺟ وأ زﺋﺎﻋ وأ قرﺎط

،لﯾﻟ فﻼﺧ لﯾﺧﺑﻟا يذﻟا دﻣﺧُﯾ هرﺎﻧ ﻲﻛ ﻻ

ﮫﻗرطﯾ ٍرﺎﺳ وأ رﺑﺎﻋ .لﯾﺑﺳ ظﺣﻠﻧو ﻲﻓ تﯾﺑﻟا نﻣﺎﺛﻟا رﺷﻋ نﻣﺿﺗﻣﻟا اذﮭﻟ

،ﻰﻧﻌﻣﻟا ًﺎﻗﺎﺑط ﮫﻔظو رﻋﺎﺷﻟا زارﺑﻹ ﮫﻣﯾﻗ ﻊﯾﻧﺻ ﮫﯾﺛرﻣ دﺿﻟﺎﻓ

رﮭظﯾ ﮫﻧﺳﺣ .ّدﺿﻟا

ﻲﻓو نﯾﺗﯾﺑﻟا ﻊﺳﺎﺗﻟا رﺷﻋ

،نﯾرﺷﻌﻟاو رﻛذﯾ

رﻋﺎﺷﻟا نﯾﺗﻠُﺧ ﻲﻓ ﮫﯾﺛرﻣ ﺎﻣﮭﺛرو نﻋ هدّﺟ

،(بﻟﺎﻏ) ﻲﺑأ قدزرﻔﻟا (رﻋﺎﺷﻟا) ﻻ

ﮫﯾﻧادﯾ ﺎﻣﮭﯾﻓ

،دﺣأ ﻻو ﺎﮭﻐﻠﺑﯾ وذ

،ﺔﻣھ ﺎﻣھو ﻊﻓرﺗﻟا نﻋ صﺋﺎﻘﻧﻟا ّلﻛو ﺎﻣ ﻖﺣﻠﯾ ﮫﺑﺣﺎﺻﺑ

،رﺎﻌﻟا ﮫﻣﺎﻌطإو ﻰﻋوﺟﻟا يوذو ﺔﺟﺎﺣﻟا اذإ ﺎﻣ تﺑﺎﺻأ موﻘﻟا

،ﺔﻧﺳ تﻠﻌﺟ مﮭﺿرأ ءادرﺟ .ﺔﻠﺣﺎﻗ

وھو ذإ طﺑرﯾ نﯾﺑ نﺑا ﮫﯾﺧأ

،ﮫﯾﺑأو ﮫﻧﺈﻓ ﻊﻓرﯾ نﻣ نﺄﺷ

،لوﻷا ﺔﻧﺎﻛﻣﻓ بﻟﺎﻏ دﻧﻋ قدزرﻔﻟا ﺔﯾﻟﺎﻋ ﻻ ﺎﮭﯾﻧادﺗ

،ﺔﻧﺎﻛﻣ دﻘﻓ نﺎﻛ قدزرﻔﻟا رﯾﺟﯾ

ّلُﻛ نﻣ رﯾﺟﺗﺳﯾ رﺑﻘﺑ

،ﮫﯾﺑأ ﻲﺿﻘﯾو ﮫﻟ ﮫﺗﺟﺎﺣ .8

لﺻاوﯾو رﻋﺎﺷﻟا

رﻛذ بﻗﺎﻧﻣ

،ﻲﺛرﻣﻟا دﻘﻓ نﺎﻛ ثﯾﻐﻟﺎﻛ ﮫﯾﻓ ةﺎﯾﺣ سﺎﻧﻟا اذإ

،اوﻠﺣﻣأ مﮭﺑﺎﺻأو بدﺟﻟا يذﻟا ﻊﻓدﯾ سﺎﻧﻟا ﻰﻟإ لﻼﺣﺗﺳا

وزﻐﻟا ﻲﻓ رﮭﺷﻷا .مرﺣﻟا نﺎﻛو اذ ﺔﻣھ ﺔﯾﻟﺎﻋ مﺋاد لﻘﻧﺗﻟا ﻲﻌﺳﻟاو ﻻ ﺢﯾرﯾ ﮫﻠﺑإ نإو

،تﯾﺟو اذإو فدﺎﺻ يوذ ﺔﺟﺎﺣ ﮫﻧﺈﻓ رﺣﻧﯾ مارﻛ

ﮫﻠﺑإ .مﮭﻟ

ﮫﯾﻠﻋو نﺈﻓ ﮫﯾﺛرﻣ ض ّوﻌﯾ ﻻ

،ًادﺑأ ﺎﻣﻓ نﻣ دﺣأ نﺎﻛ نﻛﻣﯾ نأ ّدﺳﯾ هّدﺳﻣ اذإ ﺎﻣ تﻣظﺎﻌﺗ بوطﺧﻟا

،تدﺗﺷاو ﻼﻓ

فرﻌﯾ ﺎﮭﻟ ًﻼﺣ ﻻو

ﺎﮭﻘﯾﺿﯾ ًﺎﺟزﻣ ﺎﮭﻧﻣو ﺎﻣ هرﻛذﯾ ﻲﻓ تﯾﺑﻟا ﻊﺑارﻟا

،نﯾرﺷﻌﻟاو دﻘﻓ

نﺎﻛ ﻲﺛرﻣﻟا ًارﺿﺎﺣ ﺎﻣود ةدﺟﻧﻟ سﺎﻧﻟا

،ﮫﻣرﻛﺑ اذإ ﺎﻣ لﺑﻗأ مﮭﯾﻠﻋ ءﺎﺗﺷ

،ٌل ِﺣﻣﻣ ﻻ نوﺛﺎﻐﯾ

،ﮫﯾﻓ ﮫﺣﺎﯾرو ﻻ

،بَﺣﻟالﻣﺣﺗ ﻻو قوﺳﺗ

،مﺎﻣﻐﻟا ﺎﻣﻧإو رﯾﺛﺗ َارﺎﺑﻏ رﻣﺣأ ﻸﻣﯾ .قﺎﻓﻵا

ﻲﻓو تﯾﺑﻟا سﻣﺎﺧﻟا

،نﯾرﺷﻌﻟاو دﮭﺷﻧ

لوﻷو ةرﻣ ﻲﻓ ةدﯾﺻﻘﻟا روﺿﺣ نﻣ ﻲﺳاوﯾ رﻋﺎﺷﻟا لوﺎﺣﯾو فﯾﻔﺧﺗ ﮫﻣﻻآ لوﻘﯾﻓ ﮫﻟ :موﻘﻟا نإ ﺎﻣ

ﮫﺑﺎﺻأ دﻗ بﺎﺻأ

،هرﯾﻏ نأو توﻣﻟا رﯾﻐﺗو لﺎﺣﻟا لاوزو ﺔﻣﻌﻧﻟا دﺟﻣﻟاو ﺔﻧﺳ ﻲﻓ .نوﻛﻟا رﯾﻏ نأ اذھ ﻻ يدﺟﯾ َﺎﻌﻔﻧ ﻲﻓ ةﺎﺳاوﻣ رﻋﺎﺷﻟا

ّدرﯾﻓ مﮭﯾﻠﻋ ﻲﻓ تﯾﺑﻟا يذﻟا ﮫﯾﻠﯾ نﺄﺑ ﮫﺑﺎﺻﻣ سﯾﻟ بﺎﺻﻣﻛ

،هرﯾﻏ نأو هدﯾﻘﻓ ﻻ

،سﺎﻘُﯾ وﮭﻓ لﺟر ﻊﺿاوﺗﻣ مﻟ نﻛﯾ رﺧﻔﯾ دﺟﻣﺑ

،ﮫﺋﺎﺑأ

مﮭﻣﻠﺣو ﻲﻓ مﻠﺳﻟا ثﯾﺣ نوﻛﯾ مظﻋأ

،مﻠﺣﻟا مﮭﻣرﻛو اذإ ﺎﻣ تﺑدﺟأ

،ضرﻷا ترطﺿاو مﺎﻌﻧﻷا

ﻰﻟإ لﻛأ

،مﺎﻣﺛﻟا يذﻟا فﻧﺄﺗ نﻣ ﮫﻠﻛأ ﻻو

ﮫﯾﮭﺗﺷﺗ ﻰﻟإ ﻲﻓ .بدﺟﻟا

ظﺣﻼُﯾو نأ رﻋﺎﺷﻟا نﯾﺣ عرﺷ ﻲﻓ دادﻌﺗ بﻗﺎﻧﻣ ﮫﯾﺛرﻣ ﻲﻓ تﺎﯾﺑﻷا نﻣ ) 6 - 14 ( ﻲﺗﻟا زﻛﺗرﺗ ةروﺻﺑ ﺔﯾﺳﺎﺳأ ﻰﻠﻋ رﻛذﺗ ﻲﺿﺎﻣﻟا

،لﯾﻣﺟﻟا ﮫﻧﺄﻓ دﻗ لﺧد ﻲﻓ ﺔﻟﺎﺣ ﺔﯾﺳﻔﻧ ﺔﯾﺎﻏ ﻲﻓ مزﺄﺗﻟا ﺔﺟﯾﺗﻧ برﺎﺿﺗﻠﻟ ﻲﻓ

رﻋﺎﺷﻣﻟا ﻲﺗﻟا ﺎﮭﺿرﻔﺗ ﮫﯾﻠﻋ تﺎﯾطﻌﻣ ﻲﺿﺎﻣﻟا لﯾﻣﺟﻟا

رﺿﺎﺣﻟاو ﻊﺟﻔﻣﻟا

سﻣﺗﻟﺎﻓ ﮫﺳﻔﻧﻟ ًﺎﺟرﺧﻣ نﻣ كﻠﺗ

،ﺔﻣزﻷا نﻣ لﻼﺧ ﺔﻔﻗو لﻣﺄﺗ ﻲﻓ ةﺎﯾﺣﻟا توﻣﻟاو ﻰّﻠﺳ ﺎﮭﺑ ﮫﺳﻔﻧ نﺄﺑ ٍّﻲﺣ لﻛ هرﯾﺻﻣ

ﻰﻟإ .كﻼھ

ﺎھو وھ رﻋﺎﺷﻟا دﯾﻌﯾ ةرﻛﻟا ةرﻣ .ىرﺧأ هذﮭﻓ دﺣأ رﺷﻋ ًﺎﺗﯾﺑ

،رﺧُأ فﻛﻋ رﻋﺎﺷﻟا ﺎﮭﯾﻓ ﻰﻠﻋ دادﻌﺗ بﻗﺎﻧﻣ ﮫﯾﺛرﻣ ٍنﺎﻌﻣﻲﻓ

روﺻو ذﺧﺗﺗ

نﻣ ﻲﺿﺎﻣﻟا ًﺎﺣرﺳﻣ

،ﺎﮭﻟ نود نأ بﯾﻐﯾ ﮫﻧﻋ نأ ّلﻛ كﻟذ ﺎﻣ دﺎﻋ ًادوﺟوﻣ ﻲﻓ ﻊﻗاو دﻘﻔﻟا يذﻟا .شﯾﻌﯾ ﺎﻧھ رﮭظﯾ نأ ﺔﻣزﻷا ﺔﯾﺳﻔﻧﻟا

ﺔﻘﺑﺎﺳﻟا دوﺎﻌﺗ رﻋﺎﺷﻟا ةرﻣ

،ىرﺧأ نﯾﺣﻓ مدطﺻﺗ ىدﻟ رﻋﺎﺷﻟا تﺎﯾطﻌﻣ ﻲﺿﺎﻣﻟا ﺔﯾﺑﺎﺟﯾﻹا ﻊﻣ تﺎﯾطﻌﻣ رﺿﺎﺣﻟا

،ﺔﯾﺑﻠﺳﻟا ﻖﻣﻌﺗﯾ

سﺎﺳﺣإ رﻋﺎﺷﻟا

،ﺔﻌﺟﺎﻔﻟﺎﺑ كردﯾو

مظﻋ

،ﮫﺗﺑﯾﺻﻣ مﺟرﺗﯾﻓ كﻟذ ﮫﻠﻛ ﻲﻓ تﺎﺧرﺻ نزﺣ

ﻊﺟﻔﺗو غرﻔﯾ ﺎﮭﯾﻓ تﺎﻧﺣﺷ مﻟﻷا ﻲﺳﻔﻧﻟا ﻲﺗﻟا

ﻲﻧﺎﻌﯾ .ﺎﮭﻧﻣ

ﺎﻣو نأ أدﮭﺗ ةروﺛ ﮫﻣﻻآ

،ﻼﯾﻠﻗ ﻰﺗﺣ أدﺑﯾ ةﺎﺳاوﻣﺑ ﮫﺳﻔﻧ نﻣ لﻼﺧ ﮫﺗﺎﻔﻗو ﺔﯾﻠﻣﺄﺗﻟا ﻲﺗﻟا لوﺎﺣﯾ نﻣ ﺎﮭﻟﻼﺧ ﻊﯾﺑطﺗ

،ﮫﺗﺑﯾﺻﻣ ﺎﮭﻟﺎﺧدإو ﻲﻓ

رﺎطإ ﺔﻧّﺳﻟا ﺔﯾﻧوﻛﻟا ﻲﻓ رﯾﺻﻣ

،ءﺎﯾﺣﻷا اذھو ﺎﻣ ﮫﻣدﻗ ﻲﻓ ﻊطﻘﻣﻟا :ﻲﻟﺎﺗﻟا

27 - َﻚﯿﻜﺑﺄﺳ ﺎﻣ ْﺖَﻧﺎﻛ ﻲِﺴْﻔَﻨﺑ ٌﺔَﺷﺎﺸُﺣ

ﺎﻣ َو

ّبَد َق ْﻮﻓ ِض ْرﻷا ﻲِﺸﻤَﯾ ﺎَﮭُﻣﺎﻧأ

28 ﺎَﻣ َو - ٌﻢ ْﺠَﻧ َحﻻ

،ءﺎَﻤّﺴﻟاﻲﻓ ﺎﻣ َو ﺎﻋَد

َﺔَﻣﺎﻤَﺣ

َق ْﻮَﻓﻚْﯾأ ﺎَﮭُﻣﺎﻤَﺣقﺎَﺳ

29 - ْﻞﮭَﻓ ُﻊ ِﺟ ْﺮَﺗ ﺲﻔّﻨﻟا ﻲﺘﻟا ْﺖَﻗ ّﺮﻔَﺗﺪﻗ ُةﺎﯿَﺣ

ًىﺪَﺻ َﺖﺤَﺗ ِرﻮُﺒُﻘﻟا ﺎَﮭُﻣﺎﻈِﻋ

8 (Ḍayf, 1963, s. 267).

(8)

Address

phone: +90 505 7958124, +90 216 773 0 616

30 َﺲﯿﻟ َو - ٍسﻮُﺒ ْﺤَﻤﺑ ﻦﻋ ﺲﻔﻨﻟا ٌﻞﺳ ْﺮُﻣ

،ﺎﮭﯿَﻟإ ٌﺲْﻔَﻧاذإ ﺎَھﺎَﺗأ ﺎَﮭُﻣﺎَﻤ ِﺣ

31 ي ِﺮ ْﻤﻌَﻟ - ْﺪَﻘَﻟ ُﺖﻤّﻠَﺳ ْﻮَﻟ ًةﻮَﺜ ِﺟ ّنأ

ﻰﻠَﻋ

ٍثَﺪَﺟ ّد َر َمﻼّﺴﻟا ﺎﮭُﻣﻼَﻛ

32 َن ّﻮَﮭَﻓ- يﺪ ْﺟ َو ْنأ ّﻞﻛ ٍءى ِﺮﻣاﻲﺑأ َﻜﺜُﯿَﺳ

ْوأ،ُﻞ ُهﺎﻘﻠَﯾ ﺎﮭﻨ ِﻣ ﺎَﮭُﻣا َﺰﻟ

رﻋﺎﺷﻟﺎﻓ ﻲﻓ نﯾﺗﯾﺑﻟا ﻊﺑﺎﺳﻟا نﯾرﺷﻌﻟاو نﻣﺎﺛﻟاو

،نﯾرﺷﻌﻟاو رﺑﻌﯾ

نﻋ ﺔﻔطﺎﻋ مﻟﻷا ﻲﺗﻟا

،ﮫﺗﻛﻠﻣﺗ ﺎﮭﻣﺟرﺗﯾﻓ ﻲﻓ

ﮫﻣزﻋ ﻰﻠﻋ ءﺎﻛﺑﻟا ﻰﻠﻋ

ﮫﯾﺛرﻣ ةروﺻﺑ رﯾﻏ ﺔﻌطﻘﻧﻣ وأ .ﺔﯾﮭﺗﻧﻣ رﮭظﯾو اذھ نﻣ لﻼﺧ ﮫﻠﻌﺟ فرظ نﺎﻣزﻟا لﻌﻔﻟ

،ءﺎﻛﺑﻟا ًﺎﻧوﻛﻣ نﻣ (ﺎﻣ) ﺔﯾﻓرظﻟا ﺔﯾﻧﺎﻣزﻟا لﻌﻓو

ﻊﺗﻣﺗﯾ ﮫﻔﺻﺑ ﺔﻣوﻣﯾدﻟا ﺎﻣ) تﻧﺎﻛ ﻲﺳﻔﻧﺑ (ﺔﺷﺎﺷﺣ و ﺎﻣ) ﱠبد قوﻓ ضرﻷا ﻲﺷﻣﯾ (ﺎﮭﻣﺎﻧأ ﺎﻣ)و حﻻ مﺟﻧ ﻲﻓ (ءﺎﻣﺳﻟا و ﺎﻣ) ﺎﻋد ﺔﻣﺎﻣﺣ

كﯾأ .(ﺎﮭﻣﺎﻣﺣ ﮫّﻠﻌﻟو

ﻲﻓ اذھ نﻼﻋﻹا رّﺑﻌﯾ نﻋ ﮫﺋﺎﻓو

،ﮫﯾﺛرﻣﻟ ﮫﻧﺄﺑ نﻟ هﺎﺳﻧﯾ

،ًادﺑأ نﺄﺑو تﻻوﺎﺣﻣ سﺎﻧﻟا

ﮫﺗﺎﺳاوﻣﻟ نﻟ يدﺟﺗ ًﺎﻌﻔﻧ ﻲﻓ ﮫﯾﮭﻧ

نﻋ ءﺎﻛﺑ .هدﯾﻘﻓ

ظﺣﻠﻧو ﻲﻓ نﯾذھ نﺗﯾﺑﻟا بﺎﯾﻏ رﯾﻣﺿ بﺋﺎﻐﻟا دﺋﺎﻌﻟا ﻰﻠﻋ

،ﻲﺛرﻣﻟا بﯾﻐﯾﻓ ﮫﻌﻣ ﺎﻣ ﮫﻠﻣﺣﯾ نﻣ ﻲﻧﺎﻌﻣ ﻲﺿﺎﻣﻟا

،لﯾﻣﺟﻟا ّلﺣﯾو ﺎﻧﮭھ رﯾﻣﺿ

بطﺎﺧﻣﻟا طﺑﺗرﻣﻟا

ﻊﻗاوﻟﺎﺑ ﺎﻣو ﮫﯾﻓ نﻣ

؛مﻻآ بﺎﯾﻐﻓ ﻲﺿﺎﻣﻟا يذﻟا ﮫﯾﻓ ىوﻠﺳ

،رﻋﺎﺷﻠﻟ روﺿﺣو ﻊﻗاوﻟا

ﺎﻣﺑ ﻲﮭﻓ نﻣ مﻻآ

،دﻘﻔﻟا ضرﻔﺗ

ﻰﻠﻋ رﻋﺎﺷﻟا ﺔﻔطﺎﻋ ةدﺣاو ﻻ

،رﯾﻏ ﻲھ ﺔﻔطﺎﻋ مﻟﻷا سﺎﺳﺣﻹاو ﺔﻌﺟﺎﻔﻟﺎﺑ

نﺎﺗﻠﻟا ﺎﺗﺳﻛﻌﻧا ﻲﻓ نﯾذھ نﯾﺗﯾﺑﻟا ﻲﻓ ةروﺻ تﺎﺧرﺻ ﺔﯾودﻣ

ﺎﮭﻘﻠطﯾ رﻋﺎﺷﻟا ﻎﯾرﻔﺗﻟ .ﮫﻣﻻآ

ﮫﻌﻓدﯾو ﮫﺳﺎﺳﺣإ مﯾظﻌﻟا دﻘﻔﻟﺎﺑ مﻟﻷاو ﻰﻟإ لؤﺎﺳﺗﻟا ًﺎﺛﺑﺎﻋ ﻲﻓ تﯾﺑﻟا ﻊﺳﺎﺗﻟا :نﯾرﺷﻌﻟاو نإ

نﺎﻛ نﺎﻛﻣﻻﺎﺑ نأ دوﻌﯾ هدﯾﻘﻓ ﻰﻟا

،ةﺎﯾﺣﻟا دﻌﺑ نأ

ادﻏ ًﺎﻣﺎظﻋ تﺣﺗ

!؟روﺑﻘﻟا

ﺎﻣأ تﺎﯾﺑﻷا ﺔﺛﻼﺛﻟا ةرﯾﺧﻷا ﻲﻓ هذھ

،ﺔﻌطﻘﻟا رﮭظﯾﻓ ﺎﮭﯾﻓ نأ رﻋﺎﺷﻟا دﻗ دﺎﻌﺗﺳا

،ﮫﻧزاوﺗ ﺎﺣﺻو نﻣ ﺔﺑوﺑﯾﻏ مﻟﻷا ﻲﺗﻟا نﺎﻛ

،شﯾﻌﯾ عرﺷﯾﻓ

ةﺎﺳاوﻣﺑ ﮫﺳﻔﻧ نﺄﺑ بﯾذﯾ ﮫﺑﺎﺻﻣ ّﻲﺻﺧﺷﻟا بﺎﺻﻣﻟﺎﺑ

.ّﻲﻌﻣﺟﻟا لﻛﻓ سﻔﻧ اذإ ءﺎﺟ ﺎﮭﻠﺟأ ﻼﻓ مدﻘﺗﺳﺗ ﺔﻋﺎﺳ ﻻو .رﺧﺄﺗﺳﺗ نﻛﻟ ودﺑﯾ نأ

ﮫﻣﯾﻠﺳﺗ رﻣﻸﻟ ﻊﻗاوﻟا ﻰﺑﺄﯾ نأ ﻖﻘﺣﺗﯾ

،ﺔﻟوﮭﺳﺑ ﻲﻔﻓ تﯾﺑﻟا يدﺎﺣﻟا نﯾﺛﻼﺛﻟاو ّدوﯾ رﻋﺎﺷﻟا وﻟ نأ ﮫﻧﺎﻛﻣﺈﺑ نأ مّﻠﺳﯾ ﻰﻠﻋ دﻗرﻣ

،هدﯾﻘﻓ درﯾﻓ

ﮫﯾﻠﻋ مﻼﺳﻟا ظﺣﻠﻧو ﺎﻧﮭھ ﮫﻧأ مدﻗ مﻼﺳﻟا ﻰﻠﻋ رﯾﻣﺿﻟا ﻲﻓ (ﺎﮭﻣﻼﻛ) يذﻟا دوﻌﯾ ﻰﻠﻋ ةوﺛﺟ

،بارﺗﻟا ﻲھو زﺎﺟﻣ دارﯾ ﮫﺑ بﺣﺎﺻ

،رﺑﻘﻟا

مﯾدﻘﺗو مﻼﺳﻟا ﻰﻠﻋ رﯾﻣﺿﻟا نوﻛﯾ ﻲﻓ مﻼﺳﻟا ﻰﻠﻋ

،ﻲﺣﻟا رﻋﺎﺷﻟﺎﻓ لوﺎﺣﯾ ًﺎﺛﺑﻋ نأ ىرﯾ ﺢﻣﻠﻣ ةﺎﯾﺣ نﻛﻣﯾ نأ بذﻛﯾ ﺔﻘﯾﻘﺣ دﻘﻔﻟا ﻲﺗﻟا

،ﺎﮭﺷﯾﻌﯾ رﯾﻏ نأ ﻊﻗاوﻟا ىوﻗأ نﻣ مﻼﺣأ

،رﻋﺎﺷﻟا ﻼﻓ ﮫﻌﻔﻧﺗ ﮫﻣﻼﺣأ ﻻو ﮫﺗﺎﯾﻧﻣﺗ ﻲﻓ رﯾﯾﻐﺗ ءﻲﺷ نﻣ .ﮫﻌﻗاو مﻠﺳﺗﺳﯾﻓ ﻲﻓ تﯾﺑﻟا رﯾﺧﻷا

،ﮫﻌﻗاوﻟ ﻲﺳاوﯾو ﮫﺳﻔﻧ نﺄﺑ ٍبأ لُﻛ لﻛﺛﯾﺳ

،ﮫﻧﺑﺎﺑ نإو مﻟ بﺻﯾ توﻣﻟا ًﺎﻧﺑا ﮫﻟ ﻲﻓ

،ﮫﺗﺎﯾﺣ ﻼﻓ كﺷ ﮫﻧأ ﮫﺑﯾﺻﯾﺳ وھ

،ﮫﺳﻔﻧ اذﮭﻓ سوﻣﺎﻧ

ﻲﻧوﻛ ﻻ .رّﯾﻐﺗﯾ

ﺎﻣأو ﻊطﻘﻣﻟا رﯾﺧﻷا نﻣ هذھ ةدﯾﺻﻘﻟا رادﻣﻓ هرﻣأ ةروﺻﺑ

،ﺔﯾﺳﺎﺳأ ﻰﻠﻋ رﺛأ ﺔﺑﯾﺻﻣﻟا ﻰﻠﻋ

،رﻋﺎﺷﻟا ﻰﻠﻋو مﻏرﻟا نﻣ ّنأ ﺔﺳاردﻟا دﻗ

تﺛدﺣﺗ نﻋ اذھ رﻣﻷا ﻲﻓ قﺎﯾﺳ لﯾﻠﺣﺗ صﻧﻟا ﺎﻣﯾﻓ

،مدﻘﺗ ﮫﻧﺈﻓ مﻟ نﻛﯾ ىوﺳ نﺎطﺑﺗﺳا ﺔﻟﺎﺣﻟ رﻋﺎﺷﻟا ﺔﯾﺳﻔﻧﻟا رﺛأو بﺎﺻﻣﻟا

،ﮫﯾﻠﻋ ﺎﻣأ ﺎﻧھ

رﻋﺎﺷﻟﺎﻓ ثدﺣﺗﯾ ﺔﺣارﺻ ﺎﻣﻋ ﮫﯾﺳﺎﻘﯾ ﺔﺟﯾﺗﻧ توﻣ نﺑا

،ﮫﯾﺧأ دﻗو نﺎﻛ رﻋﺎﺷﻟا ﺢﻣﻟأ ﻰﻟإ اذھ ﻰﻧﻌﻣﻟا ﻲﻓ نﯾﺗﯾﺑﻟا ﻊﺑارﻟا .سﻣﺎﺧﻟاو

ﻊطﻘﻣﻟاو رﯾﺧﻷا ﻲﻓ ةدﯾﺻﻘﻟا :وھ

33 ْﺪَﻗ َو - َنﺎَﺧ ﺎَﻣ ﻲﻨْﯿَﺑ َﻦﯿَﺑو ٍﺪ ّﻤَﺤُﻣ

ٍلﺎَﯿَﻟ

ٌمﺎّﯾأ َو ىَءﺎَﻨَﺗ ﺎَﮭُﻣﺎَﺌِﺘﻟا

34 - ﺎﻤﻛ َنﺎﺧ َﻮْﻟَد ِم ْﻮَﻘﻟا ْذإ ﻰﻘَﺘﺴُﯾ ﺎﮭﺑ

ِءﺎَﻤﻟاﻦﻣ ِﻦﺘَﻣﻦﻣ ِءﺎﺷ ِّﺮﻟا ﺎَﮭُﻣاﺬﺠﻧا

35 ْﺪَﻗ َو - َك َﺮَﺗ ُمﺎّﯾﻷا َﺪْﻌَﺑﻲﻟ ﻲﺒ ِﺣﺎَﺻ

ْﺖ َﻤَﻠْظأاذإ ًﺎﻨْﯿَﻋ ًﻼﯾِﻮَط ﺎَﮭُﻣﺎﺠِﺳ

36 - ّنﺄَﻛ ًﺎﺣﻮُﻟَد ﻰَﻘَﺗ ْﺮَﺗ ﺎھ ِدﻮُﻌُﺻﻲﻓ

ُﺐﯿ ِﺼُﯾ

ْﻲَﻠﯿِﺴَﻣ ّﻲَﺘَﻠْﻘُﻣ ﺎَﮭُﻣﻼِﺳ

37 - ّﺮُﺣﻰﻠﻋ يِّﺪَﺧ ْﻦ ِﻣ ْيَﺪَﯾ ٍﺔّﯿِﻔَﻘَﺛ

َﺮَﺛﺎَﻨَﺗ

ْﻦ ِﻣ ِنﺎَﺴْﻧإ ﻲﻨْﯿَﻋ ﺎَﮭُﻣﺎﻈِﻧ

38 ي ِﺮﻤَﻌَﻟ- ُت ْر ّﻮَﻋﺪﻘَﻟ

َق ْﻮَﻓ ٍﺪ ّﻤَﺤُﻣ

ًﺎﺒﯿِﻠَﻗ ِﮫِﺑ

،ﺎّﻨَﻋ ًﻼﯾﻮَط ﺎَﮭُﻣﺎَﻘُﻣ