FAHRİYE ABLA YI YENİDEN OKUMA DENEMESİ

Tam metin

(1)Bayburt Üniversitesi İnsan ve Toplum Bilimleri Fakültesi Dergisi Bayburt University Journal of the Faculty of Humanities and Social Sciences Sayı / Number 7, Eylül / September 2020. An Attempt of Re-Reading “Fahriye Abla”. FAHRİYE ABLA’YI YENİDEN OKUMA DENEMESİ. Osman ORUÇ* Makale Geliş Tarihi: 11.08.2020. Makale Kabul Tarihi: 26.09.2020. Özet: Cumhuriyet sonrası Türk şiirinin en özgün şairlerinden biri olan Ahmet Muhip Dıranas, heceyi ve Türkçeyi mükemmel bir yetkinlikle kullanan, bu anlamda asırlarca ihmal edilmiş bulunan hecenin ve Türkçe'nin imkanlarını kendi çağdaşı olan ve kendisinden sonraki şairlere gösteren bir sanatkardır. Vezin, kafiye, ses ve kelimelerin tesis etmiş olduğu ahenk, Dıranas şiirinin vazgeçilmez unsurlarından biridir. Bu ahenk unsurları şiiri salt şekli boyutuyla estetik bir düzleme taşımakla kalmaz, aynı zamanda şiirin muhtevasını daha da müessir hale getirir ve biçim-içerik uyumundan ortaya çıkan psikolojik atmosferi de temin eder. Mükemmeliyetçi bir şair olan Dıranas biçimi içeriğe, içeriği biçime feda etmez; aksine onun şiirinde bu iki unsur biteviye birbirini besler. Aruz ve ArapçaFarsça kelimelerle örülmüş bir şiir dili karşısında Necip Fazıl Kısakürek, Ahmet Hamdi Tanpınar, Cahit Sıtkı Tarancı gibi şairler marifetiyle hece veznine ve konuşulan Türkçeye saygınlığını ve muhtariyetini teslim eden şairlerden biri olan Ahmet Muhip Dıranas, çalışmaya konu olan "Fahriye Abla" adlı şiirinde bütün bu hususiyetlerin toplamı olan bir poetikayla okuyucunun karşısına çıkar. Türk şiir okuru nezdinde her dönem güncelliğini koruyan unutulmaz şiirlerden biri olan "Fahriye Abla" şiiri, şiirin öznesi olan Fahriye Abla'nın hikayesini anlatır. Öykülemeye dayalı bir metnin teknik unsurlarını ihmal etmeden inşa edilen şiirde şair, panoramik bir düzen içinde Fahriye Abla aracılığıyla okuyucuyu geçmişe/çocukluğa doğru bir yolculuğa davet eder. Anahtar Kelimeler: Dıranas, Fahriye Abla, Türk Şiiri. An Attempt of Re-Reading "Fahriye Abla". Abstract: Ahmet Muhip Dıranas, who was one of the most unique poets of the post-Republic Turkish poetry, is an artist who uses syllabic meter and Turkish with perfect competence and shows the possibilities of syllabic and Turkish, which have been neglected for centuries, to his contemporaries and other poets to come after his time. The harmony established by meter, rhyme, sound and words is one of the indispensable elements of Dıranas poetry. These elements of harmony not only elevate the poem to an aesthetic level solely with its form, but also make the content of the poem even more effective and provide the psychological atmosphere that emerges from the form-content harmony. Dıranas, who was a perfectionist poet, does not sacrifice form for content or content for form; on the contrary, in his poetry these two elements constantly nurture each other. Ahmet Muhip Dıranas, who was one of the poets who enabled syllabic meter and the spoken Turkish language to regain its dignity and autonomy against a poetry language woven with prosody and Arabic-Persian words by working alongside with poets such as Necip Fazıl Kısakürek, Ahmet Hamdi Tanpınar, Cahit Sıtkı Tarancı, welcomes the readers with his poem titled "Fahriye Abla" which includes all of the characteristics of syllabic meter. The poem "Fahriye Abla", which has always been one of the current and unforgettable poems of Turkish poetry, tells the story of Fahriye Abla as the main theme of the poem. In this poem constructed without neglecting the technical elements of a narrative text, the poet invites the reader to a journey towards the past / childhood by means of the story of Fahriye Abla in a panoramic order. Keywords: Dıranas, Fahriye Abla, Turkish Poetry.. Dr. Öğr. Ü., Bayburt Üniversitesi, İnsan ve Toplum Bilimleri Fakültesi, Türk Dili ve Edebiyatı Bölümü, Mail: osmanoruc@bayburt.edu.tr. ____________________________________________________________________________________. *.

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