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ynalıkavak Pavilion:

Joy8u de la Corne d'Or

Ce pavillon ne servait pas uniquement aux

rejouissances et aux fetes, mais accueillait

aussi des reunions politiques concernant

l'empire.

Au XVIII siecle, il fonctionnait

comme un centre oil se traitaient Jes affai­

res etrangeres et en 1779 le traite de Küçük

Kaynarca y fut signe.

Ayn

a

hk

a

v

a

k

Pav

ill

o

n

e

s

t

un

be

l

ex

e

mpl

e

d

e

d

eco

r

a

tion

i

nterleure

de

l'archit

ec

t

r

e

ott

o

m

a

n

e tardi

v

e

.

LePavilionne servaitpasseulement de residence, il abritait aussi d'extra­

vaganıesfetes etdes reunions tresformelles

Aynalıkavak Pavilion

a

Hasköy fait partie de ces con­ tructions delicieuses de !'Empire ottoman. Le silence qui y regne, meme en ete, car

tres peu de touristes y vien-nent, ne reflete pas vraiment l'atmosphere des fetes et des

ceremonies qui jadis y pre­ naient place.

sane Has bahçesi", du chantier naval voisin.

Quelques uns de ces bati­

ments furent detruits par l'incendie qui fit rage sous le regne de Mehmet IV puis res­

taures

.

D'apres certains docu­ ments, le Sultan Ibrahim tenta d'interdir la navigation sur la Malheureusement depuis

Corne d'Or afin de proteger

sa construction au

xvnı

sie-ele, ce pavilion essuit des revers de fortune. II fut cons­ truit en bordure des eaux cal­

mes de la Corne d'Or, juste

a

côte d'une chantier naval qui Jui cachait lavue. Le pavilion d'origine a eteconstruit sous le regne de Mehmet I. au

XVII• siecle. Lorsque son fils

Ibrahim devint sultan, il fit construire de nouveaux bati ments

a

"Hasbahçe" au coeur de Ia fôret qui recouvrait alors Jes rives de la Corne d'or de Okmeydanı

a

Kasımpaşa. La

des yeux du public la vie luxueuse et agreable qu'il y menait avec sa famille. Une

semaine plus tard il dut reve­ nir sur sa decision au vu du nombre de plaintes.

Ce pavilion ne servaitpas uniquement auxrejouissances et aux ff-tes,mais abritait aussi des reunions politiques con­

cernant l'empire. Au XVIII• siecle il fonctionna commeun

centre ou se traitaient Jes affai­

res etrangeres et en I 779 le

traite de Küçük Kaynarcayfut fôret tirait son nom, "Ter- signe.

Malgre tout, le pavilion Miniatureturquerepresentanı une soiree de feıe en / 'honneur du Sultan

ments. Le pavilionactuel date afin de materialiser la limite de 1805 et le haut mur qu'on entre le jardin et le chantier peut voir aujourd'hui fut erige naval. Jusqu'en 1718 on

sur-:~;;

i

=

======

nommait cepavilion "Tersane

~ Sard", c'est-a-dire, Palais du Chantier naval.

perdit de son attrait apres le regne du Sultan Ahmet III qui vit detruire la plupart des bati

-Le grand salon du Pavillon qui s'enorgueillissait de sa vue sur laCorne d'Or

~-

----

----

---

---

-

-

-

---

-

-

-

---

!

H

~

:~~T~

Entre la tradition et

I'avenir

I

Texte:

I

Ayhan AT AKOL

ı

beaute naturelle et un centre prendson nom du roi bithy- fut lacapitaledesOttomans mosquee et le Mausolee

industriel.Bien que l'indus- nien Prousias (230-180 jusqu'a laconquete d'Istan- verts, la mosqueeMuradiye,

triefasse claquercrue/lement av.J, C.). Les vestigesprehis- bulen 1453. Ulu Cami,lebazar couvert

Photos:

lefouet appele"argent",la toriques sont exposes au

Heritage Magnifique

(Kapalıçarşı)iesMausolees,

Haluk Özö

z

nature, l'histoire et la culure

musee

de la ville. Elle a De nos

jours

,

le mot les stations thermales de

Les grandes vii/es sub- resistentetpredisentla pos- abrite par la suite les civlii- "Bursa" est associedans Çekirge, /es bainslures, les

sibilite d'un compromis. sations romaine, byzantine, l'espritaplusieurs images:le maisons construites selon

sistent en gravant leur vie

dans le temps. On Y travaiile Quoique les anciens habi- seldjoukide et ottomane.Elle Pare national Uludağ, la /'architecture traditionelle

tants de Bursase plaignent turque, /es couteaux typi -heure, }our par}our annee

dela disnaritiondeplusieurs ques,lesserviettesdetoilette,

par annee.... A insi passent ,...

des siecles et onarrive0 nos valeurs, nous sommes con- les marronsglaces,l'iskender

}ours. La ville resiste avec vaincus que Bursa n'a pas kebap, la peche, l'industrie

pertinence aubı!tonnagesans encore perdu grande chose de la soie el tanı d'autres

pitie denotreereetne veut de sa magnificence. Aussi, choseencore.

pas selaisser defigurer.Elle nous conseillons sa visite Tout ceci sont des

cherche 0 protegersa peine comme uncentre important caracteristiquesde Bursa qui

et son magnifiquepassı!. de tourisme. meritent d'etrecitesdans des

Bursa et l'une desrares

Beautes extraordinaires

articles dijjerents.Et les

I

villes qui a su conserverces Bursa renferme des habitants de Bursa conti

-qualites, elle s'est gravee beautes extraordinairesdans nuent aen ajouter d'autres

I

dans le tempsaussibien que le domaine touristique.Aussi au fil du tempscommepar

I

par sa nature quepar son bien en ete qu 'en hiver. exemple la RuedesPeintres.

1•

histoireet saculture. C'est Avez-vouzdes problemes de Une des rares villes

grace a saresistence qu'on sante? venez a Bursa! reftetant /'heritage et le sou-

I

/'appelle encore "Bursala Attachez-vous de l'impor- venirmagnifiquedel'Empire

I

verıe" et que l'on dit "le lanceaux valeurshistoirques ottoman, Bursa est egale

-temps est unlustre encristal regionales? Venez a Bursa! meni tres developpeedans le

I

aBursa". Etes-vouz epris des sports domaine du tourisme. il y

I

Bursa qualifiee par d'hiver ou de la nature? existe des centres d'hı!berge-

I

Ahmet Hamdi Tanpınar de Bursa vousattend. Bursa a ment qui satisfont toutes fes

I

"miroirdela clartedenotre toutes les qualites pour ren- bourses. Si vous projetez de

I

ame" estaujourd'hui la cin- dre les gensheureuxet pour partir pour de tongues

quemegrande ville de Tur- enrichir leur iime. vacancesou un petit repos de

I

q~ie. ~·est ausis un ce?tre L'hi~toire de la ville fin de semaine, Bursa est a

I

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j

A l'interieur, !es grands

miroirs ont eteofferts par Jes

Venitiens

a

Ahmet Ill

a

Ia

suite du traite de Pasarofca.

Leurs contours si particuliers, en forme de peupliers, rendit le pavilion celebre et on le

nomma Aynalıkavak Sarayı".

Ce nom resta.

Ayna!ıkavak Pavilion est

un bel exemple de !'architec­ ture ottomane tardive. Les pieces Jes plus importantes

s'appelent "Arz Odası" (grand hall ou le grand Vizir, ou tout autre haut fonction­ naire tenait sa cour) et

"Divanhane" (piece reservee aux audiences). L'entree du

pavilion etait utiliseeparceux

qui venaient voir le Sultan. Selim III, amateur et compo­

siteur demusique aimait beau­ coup ce palais. II I'a fait

restaurer en I 79 I et on peut encore voirsasignature p :nte en or sur Jes murs du palaıs. Ses versont egalement ete inscrits en or par un calligra­

phe royal. Ce pavilion abrite actuellement une exposition permanente d'instruments de musique turcs traditionnels dont Kanun (sorte de cıthare

a

72 cordes), darbuka (tarn­

bourin) et Kemençe (violon de la Mer Noire). Les instruments sont accornpagnes de miniatu­ resqui montrent toutes com­

bien Jes sultans aimaient

a

ecouter de Ia musique. Mal­

heureusement le pavilion et

son jardin si bien protege ne

jouissent pas de la vue sur la

Corne d'Or

a

cause du chan­

tier naval.

TURKISH

(2)

Page 4

Jewel on

the Golden Horn

Aynalıkavak

Pavilion:

e

Aynahkavak Pavilion is one of the best

examples of the architecture

of the

late Ottoman period as far as its in­

terior decoration

is concerned.

The

most important

parts were the Arz

Odası (the

large

hall

in a public

building

where the grand vizier or

other high personages held court) and

the Divanhane (audience hall).

~

ThePavilionwasnotonly aresidence, butalsoa placewhere extrava­

gantfeastsand entertainmentand formal meetings tookplace

Aynalıkavak Pavilion,

located in Hasköy, is a

delightful building. Thesilent environment where there are hardlyany visitors, eveninthe summer, does not reflect the atmosphere of the times when

Ottoman feasts and

ceremonies took place. Actually the fate of the pavilion wasunfortunate right from its beginning in the eight­ eenth century. It wasbuilt on the shore of the peaceful waters of the Golden Horn, next to the shipyard which blocked the view of the coast. The first pavilion was built on the coast during the reignof Ahmet I, in the seven­ teenth century. When his son İbrahim became sultan, new buildings were constructed in

"

H

as

b

a

h

ç

e

";

where forests

- once covered alarge area from

the Golden Horn to

Okmeydanı and Kasımpaşa. Due to the location of the

A Turkishminiatureshowinga nightofentertainmentforthe Sultan 1805 and the high walls which was called "Tersane Sard" exist today were erected to which means Palace of the mark the border between the Shipyard. The longmirrors, a shipyard and the pavilion gift from the Venetians after

garden. the Pasarofça Treaty, which

Until 17 I 8, the pavilion are one of the most attractive

~illl!illlı

-

~!11

dweerecorationsplaced there by Sultanof the pavilion Ahmet II. The peculiar shape of the mirrors, like poplar trees, became so famous that the pavilion soon started to be called Aynalı Kavak Sarayı (the pavilion with mirrors like poplars) and the name chang­ ed to "Aynalıkavak" (Mir­ ·ored Poplar Pavilion) and

~~~ll!lmıll

has been called so ever since.

shipyard on the Golden Horn, the woods were called "Ter­ sane Hasbahçesi". Some of the buildings were demolished by a firewhich broke outdur­ ing the reign of Mehmet IV, but later most were restored. According to one document, Sultan Ibrahim forbade the sailing of boats along the Golden Horn in order to hide the luxurious and charming lifeof thesultan and his fami­ ly from the eyes of the public.

But no more than a week

later, he had to withdraw his decision due to complaints and public disturbances. The

pavilion was not only a

residence for entertainment and feasts, but also a place for formal meetings concerning the empire. In the eighteenth century it functioned as a cen­ tre for foreign affairs and in I 779 the Küçük Kaynarca Treaty was signed there. However, Aynalıkavak lost its attraction forthesultans after Ahmet III during whose reign most of the buildings of the palace were demolished. The

Iheseare the interesting features ofBursa which can

be thetopics of other articles. The inhabitants of Bursa continue toadd to this list,

for example, the "Painters' Street".

Aynalıkavak Pavilion is one of the best examples of the

ThePavilionHall,which usedto boastaviewof ;;,;-GoldenHorn architecture of the late

Ot-r---

,

-:-

-

·---~---,

toman period as far as its

';;;

r:ı~

:

.

,

Bursa: Between tradition and the future

I

~~t~~~:~~~;:~~no~~:~;;~~~

. Turkish poet, is the fifth 230-180 B.C.. The ar- Byzantine.Seljuk and Ot- ed today it brings to mind

I

were the Arz Odası (the large

Text by:

largestcityinTurkey.Itisa chaeologicalremnants of the toman rule. Bursa wasthe such places as Uludağ (the hall in a public building where

Ayhan ATAKOL

centre of history, culture, city, dating back to the Ottoman capital until the ancient Mt. Olympus)

I

the grand vizier or other high

Photos

by:

natural riches and industry. BronzeAge,are displayedin conquest of Istanbul in 1453. Natural Park, the Green

I

personages held court) and the

Although theold inhabitants BursaMuseum.The cityhad

Magnificient heritag

e

Mosque, and Green Tomb,

I

Divanhane (audience hall).

Haluk ÖZÖZLÜ

of Bursasaythata lot has witnessed Hellenic, Roman, When Bursaismention- Muradiye Mosque, Ulu

I

The entrance hall of the

been swept away by in- Mosque, covered bazaar, pavilion was used for visitors

dusırializationand therapid Çekirgehot springs resort,

I

of the sultan. Sultan Selim III,

increasein population, we thermal baths, and also

I

a music lover and composer,

believe that its magnıijıicence traditional Turkish architec-

I

k . had great affection for the

still remains.That is whyit ture, nıves, towels, chest-

I

t d I. k ,, k b palace and had it restored in

is known as an important nus, cany, s enaer e ap,

touristicsite. peaches, silk and many

other things.

Great cities which are created are carved in­ to history. Work is patient­ ly carried out hour byhour,

dayby day, year byyearin these cities.

Centuries pass

and they reach theirpresent

status. Cities try to resist

over-development.Theydo

not want their appearanceto

be changed as a result of too many buildings.They deploy

all effortsto protect their magnificent past and

endeavours.Bursa is oneof those rarecities which has

carved itself into history by its culture, history, and naturalsurroundings.That is

why it isstill called "Green

Scenic Wonders of Bursa

Great scenic wonders can be seen in Bursaboth duringwinter andsummer. If you have healthproblems,

come to Bursa.Ifyouvalue regional historical values

come to Bursa.Ifyou arein­

terested in wintersport or nature, come to Bursa. Everything which will make

people happyand develop them spiritually,exists in Bursa.

Bursa." The history of the city

dates back to 3500 B.C.

It was named by the

Bithynian King Prousias,

Bursa which was refer­

red to as "the mirrorof light in us" by Ahmet Hamdi

1719. His "ferman" (royal decree) can be seen painted on

the walls in gold leaf

throughout the small palace.

Selim's poetry is also displayed in gold leaf, written by a court calligrapher.

The exhibition of tradi­

tional Turkish musical in­

struments, which is

permanently on show on the

ground floor, suits the

character of the pavilion.

Among the instruments

displayed are the kanun, (a zither-like instrument with 72

Bursa which is one of

therare cities reflecting the

magnificientheritage of the

Ottoman Empire, is highly

developedin tourism. There

is reasonably priced accom­

modation here, and if you are planning a long holiday

or wish to rest just for the

weekend, Bursa is an ideal

Continued onPage6

J..

Tanpınar, a contemporary who reigned between Fountainof the Ulu Mosque place.

·---·---·---Kışısel Arşıvlerde Istanbul Belleğı

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