B. BRECHT ON THE STAGE OF TATAR THEATRE

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The Tatar people, who lost their statehood in the 16th century, gained the spiritual support, first of all, in the religion of Islam. Under the "cover" of the religious way

Haldun Taner, Vasıf Öngören ve Sermet Çağan başta olmak üzere Türk epik oyun yazarları Brecht’in anlayışını geleneksel tiyatro anlayışımızla

The characters try to brüıg back the reality of the universe but they always fail, for Genet's message is that reality is unattainable for he has no controlover it.. The play

Martin Esslin coined the term in his 1960 essay "Theatre of the Absurd." He related these plays based on a broad theme of the Absurd, similar to the way Albert Camus uses

The characters play games with words which they intend only to pass the time but which take on a meaning they had not thought of.. Deals with universal/global problems (not