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Conventions of Shakespeare’s Romances

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Conventions of Shakespeare’s Romances

 An enveloping conflict (war, rebellion, jealousy, treachery, intrigue) that may cover a large timespan (conflict begun a generation before events of plan) and is resolved at the end of play

 Happy endings to potentially tragic situation (e.g. apparent resurrection, sudden conversions, etc.)

 Themes of transgression, expiation and redemption; villain(s) penitent rather than punished at end

 Improbable plots; rapid action; surprises; extraordinary occurrences (shipwrecks, disguises, riddles, children/parents lost and found, supernatural events/beings)

 Characters of high social class, rural and court settings, extremes of characterization (exalted virtue and deep villainy)

 Love of a virtuous hero and heroine, “pure” and “gross” loves often contrasted.

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CHARACTERS

MILAN:

 Alonso-King of Naples

 Ferdinand-his son

Sebastian-Alonso’s brother

 Antonio-Prospero’s brother, usurping Duke of Milan

 Gonzalo: an honest Old Councillor

 Trinculo: a jester

 Stephano: a drunken bother

ISLAND:

 Prospero- Represents Art-nurture-learning-knowledge, civility (& also colonizer, to occupy without rights, the colonizer)

 Miranda: Prospero’s daughter (Latin. Admiration, modest)

 Caliban: anagram of Cannibal-slave-savage /representing nature, evil, lust)

 Ariel: An airy spirit

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