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DRAMA IN TWENTIETH CENTURY

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(1)

DRAMA IN TWENTIETH

CENTURY

(2)

Realism was on top in the drama of the early twentieth century ,but Shaw´s comedy of ideas

predominated the drama.An example for realism John Millington Synge´ Riders to the Sea which was a

peasant tragedy.Along with Shaw ,there were several trends which did not draw attention as much as him

Synge´The Play of Western World and W.B. Yeats(in verse)were specifically designed as the ‘renaissance’

of an Irish theatre movement ,their style met with a mixture of hostility,bewilderment and approval on their performances at Yeats’Abbey Theatre in Dublin.

(3)

There were also verse plays other than Yeats´plays composed by English poets, had little success except for Eliot´s

Murder in Cathedral which was written to commemorate Thomas Becket

Bertolt Brecht´Mother Courage shows

the constant warfare that marks the

twentieth century,and the defiance of

peril,pain, terror that are part of modern

condition

(4)

The playwrights were concerned in

society,social problems such as Easter

1916(especially Irish playwrights),and the

problem of using English language.

(5)
(6)

GEORGE BERNARD SHAW

He was born in Dublin 1856 but left the city at the age of twenty due to the love- hate relation with his native land like

Joyce.

Shaw was an Irish man predominated English Language alongside Yeats and Joyce.

His first play ,Widower`s House was published in 1893.He was one of the founders of Fabian Society(non-

revolutionary socialist

organization)commited to reforms in

education and to the liberation of women.

(7)

His plays were known for their

entertaining exposition of social problems and far from politic.They began with

preface which he justified and explained the issue behind the plays.These comedy of ideas were designed for morally

improving the audience.

His major works;Ceaser and Cleopatra, Major Barbara,Pygmalion, Man and

Superman,Heartbreak House and Back to

Methuselah(philosophical work)

(8)
(9)

PYGMALION

Shaw indicates the defects of the English language and inner

structure,he examines the power of language and its relation to the class and authority. He

concentrates on the relationship between man and language,the parallelism between class and language and language as a

‘etiquette’.It is because in early twentieth century London was home to commerce and British Empire,so there was an organized class system,categorized people in accordance with their language pattern,did not permit crssing

boundries.Eliza overcomes the class system by exchancing her cockney accent for upper-class.

(10)

MYTH OF PYGMALION

Pygmalion is the name of a sculptor and king of

Cyprus who curved an ivory statue of a maiden and fell in love with it.It was brougt to life,in

response to his prayers,by

Aphrodite.Similar to the myth of

Pygmalion,Professor Higging takes a flower girl with a cockney

accent and is able to

transform her to another

person.

(11)

PREFACE

In preface of Pygmalion Shaw states that the English do not know how to speak

their own language and can not teach it to their children,they can not spell it

because it is composed of consonants without any agreed value ,is not

phonetic.He mentions the importance of phoneticians and shows that it is possible for people to change their native dialects ,implying that it may lead to move to a

higher class .

(12)
(13)

The Plot of Pygmalion

o

It is a romantic comedy . The play turns on the claim made by Professor Higgings ,a professor of phonetics,to his friend Colonel Pickering

that he could pass off a cockney flower ,Eliza Doolittle,as a duchess by teaching her to

speak properly.She asks Higgins for lessons

and he takes her as a pupil.In the course of

her educatıon she emerges not merely as a

presentable lady but as a beautiful woman of

increasing sensivity.To Higgins however ,just a

successful experiment.

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