ocmeoow- ne sac “if mats what - "OS' m'CüCr -6'e 3Huv3y
. ‘ oompia - ng He runec ~e ne arounc As everyboc\ e se s.mpatn, 3ea1iisn Osma- stareo e- ■ a oas*e' ne seng over rvs *e too* oh *ne Cep c a u g - t w i n
'e..a°
.-a a 3ea"-5" Cs~a- .a„g- ng :: ;e zee n ~ o, tne snouicers a-o
• •: •j" you tne Cop sac scyo.
-•e you real'-, beong'
Csmans sr~-»e suddenly va- sneo :: 5‘Cjnd slow;, He loosec m me
to :a:e m amazement A s ' ne : - now what was realty gcxng
o~
- j oaraon
7
Beamish Osma- askea•gnbo' tneo Keeping ns face stra:gn:
ne sac "and order” T.e'more amazes Tnat sc~ -e :: : , lei: sıien? The Coo turned to
se me Coo sa1 o
s' Osman didn't nea' me wp'os Bj! ?~azement on rus face reiaxec "See
■ : Ano s ngmg ms baske' back on * ce- ne took. o~ With me ngn: be'.no
/ \ R N K
/ J
usta
.
£ e r
S o r ? K
f\<st
f t
ssse~-2cx *oo: smes cameos':
My shut windows
69
p
G
Neveser
enera!!y peelers nave been interested r, the sense of tne open window 'hey have often shown views o‘ w'noows opening from the outS'oe Accepting tne wmoow as a closure. I tres* c n a way that goes agamst its habit ja ano hao tons s c - ,f!cance Since
DtocKeo wt" picks the winoow ooes no:
disapoea' it loses its function ano becomes a mere object again an eleme-: o' resistance Eacr. o‘ mese windows is a' costacie ano a limit. Tne'e is no beyond Tne w npo.-, tnere‘o'e becomes a place o' seoa'a- o- *r e wmoow as a" obiect o' use is t'a-s'c'meo tne~ oe'aocatec ommunicaho-n a s b e e - tommunicaho-n e m am m tc a - o b je c t o ' e m o t e - p - c / c - n g a a ip n g tim e n o u s e s s e n p m e t a a n o s y m b o c ' e s o c - s e T - e n e a h a v e m e c e u n a re p resen :a: o n o ' s - u w - c o w s s.-m o o s e t a - fa s c in a t e d by co n fm e m e n : im p n s o n m e 't a - > e t , m y y f , b , m e -’ state of a n g j 'S - s a o n e s s m is e ') e - c e s . ' e : w n d o w s a '-o A y o c k e c
w
n d o * o r a- a - - o e s - r w - c a -s 3 r6 ÎC 0 € k n x k e C is e a s . lo e n - fie d (lise s c m a n , s e e o t e c c z e rs ~ n e se •/, x o w s p ie c e s c e - o e s s 1,. b a n a o a . -e a t , a s tne re o res e n : a lo ss o ' im a g e o ' a w o o w itn p j* a w e , co t a ç a n s -■ne w goo w is n .a o e - wn a : o j' o e s i'e s a ’ o c ' - o o e s a re g a m is n e o w tt- c a 's o ' c C c s e cTranO a'iJ from.ıhe
French
H M .x iv p i U*ar.pon
)
NAVAL André
(
haïti)
Galerie Monnin
B.P. 634
PORT-AU-PRINCE Haïti
NDJENG Rigo
(C
a m er o u n)
Cabinet E. Nana Kouanang
2, av. Giscard d’Estaing
B.P. 8271 YAOUNDÉ
Cameroun
N’DOYE Assane
(
sénégal)
c/o Ghislaine Richard-Vitton
10, rue des Halles
75001 PARIS
NEVBAHAR
(T
urq uie)
40, rue de la Voûte
75012 PARIS
f
NEVESER
(
turquie)
«
103, bd Voltaire
75011 PARIS
NGUYEN VAN MINH
(VIETNAM)
d o Ghislaine Richard-Vitton
10, rue des Halles
75001 PARIS
Maître Laqueur.
NIELSEN Otto
(D
a nem ar k)
c/o K. Branum
142, av. des Champs-Elysées
75008 PARIS
OSHIMA Kazuyo
(
ja po n)
25-29, rue des Lilas
75019 PARIS
S 0 S
89
İstanbul Şehir Üniversitesi Kütüphanesi Taha Toros Arşivi
